Marjorie Fair suggests a figure in argyle amid autumn chill, yet the project actually centers on singer, songwriter, and multi-instrumentalist Evan Slamka. He spent his early years in New Jersey, later relocating to New York City and cycling through various bands. From there he and longtime associate Chris Tristram headed to Los Angeles, where, alongside other collaborators, they shaped a layered and at times somber pop style shaped equally by classic sources such as the Beach Boys and more recent ones including Red House Painters and Elliott Smith.
Capitol took notice of Slamka’s work, prompting sessions around 2003 for Marjorie Fair’s first full-length release. The project’s title references a particular rose variety. Among those contributing were producers Rob Schapf and Jerry Finn, the noted Los Angeles figure Jon Brion, organist and keyboardist Kim Bullard, plus studio drummers Jim Keltner and Joey Waronker. Issued first in the U.K. during 2004 under the name Self Help Serenade, the album drew widespread acclaim for its measured fusion of 1960s and indie sensibilities. American distribution followed in July 2005. On the road in support, Slamka performed with Dain Luscombe on keys, Scott Lord on bass, and Mike Delisa on drums.
