Biography
During a tragically abbreviated career, Scott LaFaro rapidly emerged as one of the most technically sophisticated bassists of his era, standing alongside Charlie Haden and Charles Mingus in innovation. His distinctive approach featured an emphasis on the upper register, exceptional velocity in execution, and an interactive rapport with pianist Bill Evans that proved equally inspiring to both musicians within their trio format. Initially trained on clarinet and tenor saxophone, LaFaro switched to double bass during his college years. Between 1955 and 1956 he performed in Buddy Morrow’s ensemble, followed by a tour with Chet Baker spanning 1956–1957; in subsequent seasons he collaborated with Ira Sullivan, Barney Kessel, Cal Tjader, Benny Goodman, and additional artists. After entering the Bill Evans Trio in 1959, LaFaro went on to record with Ornette Coleman—including the album Free Jazz—and to perform live with Stan Getz, yet his enduring legacy centers on the Evans partnership, especially the 1961 sessions captured at the Village Vanguard. The bassist’s fatal automobile accident at age twenty-five, occurring soon afterward, delivered a profound jolt to the jazz community.