Stephen Bishop

San Diego-born Stephen Bishop cultivated a melodic light-pop approach that brought him modest solo recognition during the late 1970s, yet his standing grew chiefly through his songwriting. Visibility surged following the 1976 debut Careless, whose Grammy-nominated track “On and On” reached listeners, although Bishop soon gained wider notice for his film work on Animal House, Roadie, and Tootsie. He also took onscreen roles in The Blues Brothers and Kentucky Fried Movie. Across subsequent decades Eric Clapton, Phil Collins, Barbra Streisand, Chaka Khan, and Art Garfunkel all interpreted his material. An Academy Award nomination arrived for the 1985 composition “Separate Lives,” which Phil Collins and Marilyn Martin performed for White Nights. Primarily identified as a tunesmith, Bishop nevertheless experienced renewed recording success in the 2000s when a series of albums appeared first in Japan; many of those projects later received U.S. reissues alongside the later studio efforts Blueprint in 2016 and We’ll Talk About It Later in the Car in 2019.

The Beatles’ 1964 appearance on The Ed Sullivan Show prompted Bishop to begin composing soon afterward. Once his high-school band the Weeds dissolved, he moved to Los Angeles, where seven years of contract hunting and songwriting stints at Edwin H. Morris Publishing yielded little progress. A mutual acquaintance ultimately led Garfunkel to Bishop; the singer included two of his pieces on the 1975 album Breakaway. Garfunkel’s assistance the next year secured Bishop a contract with ABC Records. The resulting Grammy-nominated Careless, issued in 1976, included performances by Garfunkel, Clapton, and Khan and produced the charting singles “On and On” and “Save It for a Rainy Day.” The 1978 follow-up Bish performed respectably, yet Bishop’s profile as a writer expanded more dramatically, placing songs with Khan, Streisand, and the Four Tops while entering film scoring. He wrote and sang the theme for National Lampoon’s Animal House and appeared onscreen in the scene in which John Belushi destroys his guitar; additional contributions went to The China Syndrome, Roadie, and Summer Lovers, and he made cameos in The Blues Brothers and Kentucky Fried Movie. Although he did not compose it, Bishop’s 1982 recording of “It Might Be You” charted as the Tootsie theme. Several years afterward Collins and Marilyn Martin’s duet version of Bishop’s “Separate Lives” earned an Academy Award nomination after its inclusion in White Nights.

Bishop continued writing for other artists and supplying film music before returning with the 1989 album Bowling in Paris, which featured Collins, Sting, and Clapton—the last of whom had already recorded one of Bishop’s songs. A fifth solo collection, Blue Guitars, surfaced in 1996, but sustained activity as a recording artist waited until the next decade. Rising demand across Asia led Bishop to issue numerous albums during the 2000s, chiefly on Japanese labels and consisting largely of demos and live recordings. He resumed focused studio work with 2014’s Be Here Then and continued with Blueprint in 2016. In 2019 he issued the retrospective album We’ll Talk About It Later in the Car, drawing on material originally written in the mid-1970s.