Artist

The Charlatans

Genre: Rock ,British Trad Rock ,Alternative Pop/Rock ,Britpop ,Madchester ,Dance-Rock
Origin: U.S.A
Active: 1989 - Present
Listen on Coda
Long regarded as Madchester outsiders who never seized the era's spirit the way the Stone Roses did or matched Happy Mondays' wild stylistic experiments, the Charlatans actually stayed closer to rock conventions than either rival. Rooted in Rolling Stones-inspired structures, they overlaid club-friendly grooves and thick, rotating Hammond layers drawn from 1960s psychedelia. Early promise shone through in debut singles such as "The Only One I Know," yet once Madchester and baggy receded, the band seemed stranded in the past. Many assumed 1994's third album, Up to Our Hips, marked their close. Instead the self-titled fourth album of 1995 staged a striking revival, folding in the rising Brit-pop wave, subterranean dance and techno textures, and their established classic-rock base. It opened at number one, prompting fresh recognition of the group as enduring figures. Few realized how literal that description would become: while cutting the next record in 1996, keyboardist Rob Collins, whose playing shaped their core identity, perished in a car accident. Continuing as a quartet, they watched 1997's Tellin' Stories enter the British charts at number one. Further momentum arrived with 1999's Us and Us Only and 2001's Wonderland, both peaking at number two and confirming their status among Britain's enduring working bands of the new century.

Formed in the West Midlands in 1988, the quartet initially seemed destined for brevity. Prompted by the Stone Roses' breakthrough, keyboardist Rob Collins, guitarist Jon Baker, bassist Martin Blunt, and drummer Jon Brookes recruited various singers until Tim Burgess, born in Salford, joined after the band moved to Northwich, Cheshire. Repeated major-label rejections led them to launch Dead Dead Good Records and issue the debut 12-inch "Indian Rope" in January 1990. Collins's powerful, expansive Hammond immediately set them apart within the scene, driving the track to the top of the indie listings. Signing with Beggars Banquet brought "The Only One I Know" months later; its blend of Stones riffs, jangle, and funk propelled the single into the national Top Ten and established it as their defining song. Another hit, "Then," preceded the autumn release of debut album Some Friendly, which also debuted at number one.

A swift reversal followed in early 1991 when the first U.S. tour forced the addition of "U.K." to the name because a 1960s San Francisco garage band already held claim. Returning home, they performed at the Royal Albert Hall; guitarist Baker then departed and was replaced by Mark Collins, unrelated to Rob. Bassist Blunt's serious depression caused further delays, and when second album Between 10th and 11th finally appeared, Madchester had lost favor, leaving the record commercially overlooked and critically mixed.

The band pressed forward until late 1992, when Rob Collins was arrested as an accessory to armed robbery after an unplanned stop at a liquor store during an evening out with an acquaintance. Sentenced to eight months, he recorded his parts for the third album before incarceration. Released in early 1994 after his release, Up to Our Hips earned improved notices, and its single "Can't Get Out of Bed" outperformed any track from the previous record, launching the recovery that peaked in summer 1995.

Ahead of the self-titled album's arrival, Burgess contributed vocals to the Chemical Brothers' "Life Is Sweet," restoring his underground credibility and opening electronica doors. That influence surfaced in more concise songwriting and stronger dance elements, yet the record still entered the U.K. charts at number one. The Charlatans returned to the upper tier of British rock, enjoying peak popularity and praise, though American touring remained blocked by Collins's prior conviction; European and Asian audiences stayed loyal.

While tracking the follow-up, Collins died in a drunk-driving crash en route to the studio. Despite his central role in their sound, the remaining members finished fifth album Tellin' Stories with Primal Scream keyboardist Martin Duffy. Issued in spring 1997, it received generally positive reviews and again topped the charts. Us and Us Only followed in 1999, then the dance-tinged Wonderland in 2001. The next year brought live set Live It Like You Love It, recorded in their hometown in December 2001, and Songs from the Other Side, a B-side compilation spanning 1990–1997. Eighth studio album Up at the Lake appeared in 2004, followed by Simpatico in 2006. You Cross My Path arrived on Cooking Vinyl in 2008.

Marking the twentieth anniversary of Some Friendly, the band performed the album at Barcelona's Primavera Sound Festival in 2010; eleventh studio album Who We Touch was scheduled for September that year. During its supporting tour, drummer Jon Brookes received a brain-tumor diagnosis. Peter Salisbury completed the dates, yet Brookes rejoined for year-end shows. Burgess and Mark Collins undertook a short acoustic tour in 2011 before Burgess began a solo project. He rejoined the group in 2012 as they started work on new material and performed Tellin' Stories in full at two concerts that summer; the June 8 performance at London's HMV Hammersmith Apollo was released as a live album in August. After multiple operations and continued treatment, Brookes died in hospital on August 13, 2013, aged 44. The Charlatans regrouped in 2014 to record twelfth album Modern Nature, issued on BMG in January 2015. It entered at number seven, their highest placement since Simpatico. Two years later Different Days appeared, featuring guest appearances by Paul Weller and Johnny Marr.

The ensuing years were quieter, with catalog reissues including an expanded Between 10th & 11th in 2020, while Burgess resumed solo work and originated online listening parties, beginning with a March 2020 revisit to Some Friendly and organizing more than 700 events within twelve months. Marking thirty years as recording artists, the band released A Head Full of Ideas, a comprehensive retrospective whose title borrowed a lyric from their highest-charting U.K. single, 1996's "One to Another."