Biography
Emerging as pioneers who blended country influences with rock attitudes, the International Submarine Band drew scant notice across their short run from the mid-1960s into the late 1960s, yet later gained acclaim as Gram Parsons' earliest significant group. Their opening single evoked an energized folk-rock outfit layered with psychedelic touches, while the 1968 album Safe at Home established the country-rock approach and sharply observant songcraft that defined Parsons' brief yet lasting career. Safe at Home remained the sole International Submarine Band release featuring Parsons, although Ian Dunlop and Jon Corneal briefly revived the lineup for the 2000 album Back at Home.
While enrolled in theology studies at Harvard during the mid-'60s, Parsons assembled the International Submarine Band alongside guitarist John Nuese, bassist Ian Dunlop, and drummer Mickey Gauvin. After leaving college in 1966, Parsons relocated the group to New York, where they refined their fusion of country and rock. Borrowing their title from an Our Gang comedy short, the International Submarine Band secured a single deal with Columbia Records; the 1966 release "Sum Up Broke" b/w "One Day Week" proved a solid effort yet received scant airplay and flopped commercially. After Columbia dropped them, the band partnered with Ascot Records to record 1966's "The Russians are Coming, The Russians are Coming," a track linked to the popular comedy film starring Carl Reiner and Alan Arkin. Its B-side, a version of "Truck Driving Man," offered an early sign of the group's emerging direction, though the Ascot single matched the debut's lack of success. Around the same period the ensemble also tracked an album that stayed unreleased, with the tapes ultimately disappearing.
At the start of 1967 the musicians headed to Los Angeles following advice from former child actor Brandon DeWilde, who assured them he could secure film roles. The International Submarine Band did appear in Roger Corman's The Trip, which starred Peter Fonda, but their contribution was removed and replaced by the psychedelic blues of the Electric Flag. Participation in The Trip nevertheless raised their standing within the L.A. underground scene, and Fonda even cut Parsons' original composition "November Nights." Tensions among the members soon surfaced, prompting Dunlop and Gauvin to exit in spring 1967. Several months afterward Parsons' childhood friend Jon Corneal joined on drums, and the group brought in a temporary bassist to prepare an audition for Lee Hazlewood's LHI Records. The audition earned them a contract, after which LHI's staff producer Suzi Jane Hokum oversaw sessions and Chris Ethridge was added on bass. By late 1967 the International Submarine Band had finished their debut album, Safe at Home.
Although the band's prospects appeared to brighten, Parsons departed in February 1968 to join the Byrds. Having failed to inform LHI of his exit plans beforehand, he relinquished rights to the International Submarine Band name to Hazlewood to sidestep litigation; Hazlewood further blocked Parsons' vocals from appearing on the Byrds' 1968 album Sweetheart of the Rodeo. After Parsons left, the remaining members searched unsuccessfully for a replacement singer. By the time Safe at Home reached stores in spring 1968, the group had disbanded.
Following Parsons' death in 1973 he achieved cult status among country-rock enthusiasts, and Safe at Home gradually attracted listeners through multiple reissues on Shilo Records, Rhino Records, Statik Records, and Sundazed Records; the latter added the album to its catalog in 2001 and restored the rare monophonic promotional mix in 2022. In 2000, twenty-seven years after Safe at Home first appeared, Ian Dunlop and Jon Corneal reformed the International Submarine Band with Fred James on guitars, Ben Keith on pedal steel guitar, Chris James on organ, and Jody Maphis on drums and guitar. Primarily a studio effort that incorporated songs from Corneal's solo project John Corneal and the Orange Blossom Special, the revived lineup recorded the independent album Back at Home before dissolving once more.
While enrolled in theology studies at Harvard during the mid-'60s, Parsons assembled the International Submarine Band alongside guitarist John Nuese, bassist Ian Dunlop, and drummer Mickey Gauvin. After leaving college in 1966, Parsons relocated the group to New York, where they refined their fusion of country and rock. Borrowing their title from an Our Gang comedy short, the International Submarine Band secured a single deal with Columbia Records; the 1966 release "Sum Up Broke" b/w "One Day Week" proved a solid effort yet received scant airplay and flopped commercially. After Columbia dropped them, the band partnered with Ascot Records to record 1966's "The Russians are Coming, The Russians are Coming," a track linked to the popular comedy film starring Carl Reiner and Alan Arkin. Its B-side, a version of "Truck Driving Man," offered an early sign of the group's emerging direction, though the Ascot single matched the debut's lack of success. Around the same period the ensemble also tracked an album that stayed unreleased, with the tapes ultimately disappearing.
At the start of 1967 the musicians headed to Los Angeles following advice from former child actor Brandon DeWilde, who assured them he could secure film roles. The International Submarine Band did appear in Roger Corman's The Trip, which starred Peter Fonda, but their contribution was removed and replaced by the psychedelic blues of the Electric Flag. Participation in The Trip nevertheless raised their standing within the L.A. underground scene, and Fonda even cut Parsons' original composition "November Nights." Tensions among the members soon surfaced, prompting Dunlop and Gauvin to exit in spring 1967. Several months afterward Parsons' childhood friend Jon Corneal joined on drums, and the group brought in a temporary bassist to prepare an audition for Lee Hazlewood's LHI Records. The audition earned them a contract, after which LHI's staff producer Suzi Jane Hokum oversaw sessions and Chris Ethridge was added on bass. By late 1967 the International Submarine Band had finished their debut album, Safe at Home.
Although the band's prospects appeared to brighten, Parsons departed in February 1968 to join the Byrds. Having failed to inform LHI of his exit plans beforehand, he relinquished rights to the International Submarine Band name to Hazlewood to sidestep litigation; Hazlewood further blocked Parsons' vocals from appearing on the Byrds' 1968 album Sweetheart of the Rodeo. After Parsons left, the remaining members searched unsuccessfully for a replacement singer. By the time Safe at Home reached stores in spring 1968, the group had disbanded.
Following Parsons' death in 1973 he achieved cult status among country-rock enthusiasts, and Safe at Home gradually attracted listeners through multiple reissues on Shilo Records, Rhino Records, Statik Records, and Sundazed Records; the latter added the album to its catalog in 2001 and restored the rare monophonic promotional mix in 2022. In 2000, twenty-seven years after Safe at Home first appeared, Ian Dunlop and Jon Corneal reformed the International Submarine Band with Fred James on guitars, Ben Keith on pedal steel guitar, Chris James on organ, and Jody Maphis on drums and guitar. Primarily a studio effort that incorporated songs from Corneal's solo project John Corneal and the Orange Blossom Special, the revived lineup recorded the independent album Back at Home before dissolving once more.
Albums
Singles
