Artist

The Streets

Genre: Rap ,British Rap ,Garage ,Grime ,Club/Dance
Origin: U.S.A
Active: 1994 - 2011,2017 - Present
Listen on Coda
Mike Skinner serves as the Streets' producer, songwriter, and rapper, bringing a truly distinctive voice to British hip-hop through his innate talent for narrative, sharp wit, emotional depth, and singular vocal and production style. Emerging at the start of the 2000s, the Streets introduced a sound that shaped the trajectory of Britain's garage and grime movements. Mercury Music Prize-nominated 2002 release Original Pirate Material preceded the 2004 number-one sensation A Grand Don't Come for Free. Skinner sustained the Streets' creative energy and audience appeal through the rest of the decade until retiring the project following 2011's Computers and Blues. He reactivated the moniker via singles from 2017 onward and the 2020 mixtape None of Us Are Getting Out of This Life Alive, then delivered the ambitious 2023 album and film The Darker the Shadow the Brighter the Light. Further new Streets output surfaced on 2024's Fabric Presents the Streets, a 31-track DJ mix.

Born in Birmingham, Skinner entered the garage scene as an outsider after relocating to London. From age 15 he had been crafting homemade tracks shaped by hip-hop, house, jungle, reggae, and country. This foundation produced the idiosyncratic production and vocal approach that later defined his work under the Streets name. An early demo of "Has It Come to This?" reached Nick Worthington at the influential garage label Locked On, securing a deal that led to the track's 2001 single release. The song climbed to number 18 on the U.K. singles chart, marking a Top 20 breakthrough that effectively began Skinner's career. The Streets' debut album Original Pirate Material arrived in March 2002 to broad critical acclaim, earning a Mercury Prize nomination and reaching number 12 on the albums chart. Its resourceful homemade production and fresh lyrics centered on everyday working-class experience departed from prevailing U.K. conventions, establishing the record as an enduring influence of its period.

Skinner's 2004 follow-up A Grand Don't Come for Free achieved both critical and commercial heights, presenting a detailed yet compelling concept album that elevated his production and songwriting quirks to fresh extremes. The set topped the U.K. charts and spawned several hit singles, among them the energetic "Fit But You Know It" and the number-one ballad "Dry Your Eyes." With the Streets now a mainstream U.K. fixture, Skinner embraced his tabloid persona on 2006's The Hardest Way to Make an Easy Living. Though not presented as a concept album, its material revolved around the uncertainties of fame as Skinner had encountered them; the release again led the U.K. charts even as critical response proved more restrained. Everything Is Borrowed appeared in 2008, charting a markedly different thematic path through its openly hopeful and philosophical content, earning favorable reviews while peaking at number seven in the U.K.

Skinner soon began outlining the next Streets album, characterizing it as dark and futuristic. After the digital-only mixtape Cyberspace and Reds, his fifth album Computers and Blues emerged in early 2011. It paired his intense delivery and songwriting with a garage production approach that echoed the Streets' Original Pirate Material era and marked his final major endeavor for nearly a decade, as he retired the Streets project shortly after the album's release.

Beyond a 2012 collaboration with former Streets associate Rob Harvey under the name the D.O.T., Skinner kept a relatively low profile in subsequent years, performing as a DJ across London and appearing occasionally in the press or on production credits. In December 2017 two new Streets tracks, "Burn Bridges" and "Sometimes I Hate My Friends More Than My Enemies," surfaced on streaming platforms without warning, prompting speculation about a return. Additional tracks and collaborations with FLOHIO, Dimzy, Chris Lorenzo, and others signaled Skinner's renewed commitment as he rebuilt the project over the following two-and-a-half years. Anchored by the Tame Impala-assisted single "Call My Phone Thinking I'm Doing Nothing Better," the Streets' comeback arrived as the 2020 mixtape None of Us Are Getting Out of This Life Alive. During this time it emerged that Skinner had also been developing a longer-term project that surfaced in 2023. Consisting of a self-directed, self-funded feature film and its companion album, The Darker the Shadow the Brighter the Light firmly established the Streets' second chapter on a large scale. Incorporating longtime collaborators Kevin Mark Trail and Rob Harvey, the fluidly assembled collection represented the first proper Streets album in nearly 13 years. A year later Skinner was invited to assemble a DJ mix marking the 25th anniversary of the renowned nightclub fabric London. Alongside five new Streets tracks, Fabric Presents spotlighted U.K. garage, dubstep, and house artists including Leotrix, Flowdan, and Dusky.