Artist

Yuko Ando

Genre: International ,Japanese
Origin: U.S.A
Listen on Coda
Yuko Ando belongs to the wave of J-pop vocalists who followed in the wake of Ayumi Hamasaki. Rather than relying on management to steer her path, she writes her own material, designs her own booklets, produces her own cover versions, and oversees her promotional clips. Early attempts at mainstream attention yielded little, yet her determination eventually carried several releases into strong chart territory. She originally set her sights on directing films and appeared in modest parts in the early-2000s features Mamotte Agetai and Saimin as well as the television series Ikebukuro West Get Park. During an audition for a musical role, her voice caught the ear of Oricon editor Koike Soukou, who recognized her potential and facilitated a contract with Cutting Edge, an Avex Trax subsidiary. She made her recorded debut in 2003 on the EP Sally, which failed to register on the charts even though its title track found placement in the Taiwanese drama Meteor Garden.

The EP And Do, Record, issued in 2004, became her first entry on the Oricon ranking, reaching number 54 after the anime series Gilgamesh spotlighted the track “Wasure Mono No Mori.” Her initial single, “Mizuiro No Shirabe,” surfaced the same year but managed only number 139. The full-length Middle Tempo Magic followed in 2004 and peaked at number 63, ultimately surpassing And Do, Record in total sales. Two subsequent singles remained outside the Top 100 until “Samishigariya No Kotobatachi” climbed to number 35 in 2005 once it was adopted for a Hitachi commercial. Another advertising placement proved decisive when “Nouzen Katsura” accompanied a prominent sake campaign, lifting the 2006 album Merry Andrew into the Oricon Top Ten. Ando promoted the record with an extensive tour before returning to the studio.

Her third album, Shabon Songs, arrived in 2007 and outperformed the preceding singles “Texas” and “The Still Steel Down,” both released in 2006 and both stalling just inside the lower half of the Top 50. The single “Unabara No Tsuki” fared better, attaining number 12 and marking her strongest individual showing to date. “Parallel,” issued in 2008, reached number 20 yet outsold every earlier single aside from “Samishigariya No Kotobatachi.” Later that year her fourth album, Chronicle, entered the Top 20.