Biography
Authenticity lies at the heart of Rockabilly Hall of Fame inductees Big Sandy & His Fly-Rite Boys. Although the six-piece Southern California outfit has expanded beyond its initial rockabilly foundation into a broader palette that draws on folk, bluegrass, Western swing, Cajun, and mariachi textures, the musicians remain deeply committed to earlier traditions while keeping one foot firmly planted in the current era.
Born Robert Williams, Big Sandy absorbed jump blues from his parents’ record collection during childhood. The early-’80s rockabilly resurgence prompted him to begin performing with several neo-rockabilly outfits around Southern California. What started as a trio in 1988 soon grew into a full lineup that included Wally Hersom on bass, Lee Jeffriess on steel guitar, Ashley Kingman on guitar, and Bobby Trimble on drums. Two of those members, Kingman and Jeffriess, originated from the U.K., giving the group an international flavor.
After issuing a pair of albums under the name Big Sandy & the Fly-Rite Trio, the band delivered its first proper long-player, Jumping from 6 to 6, produced by former Blasters guitarist Dave Alvin. Their follow-up, Swingin’ West, arrived in 1995 and spotlighted the Western swing side of their style, whereas the 1997 release Feelin’ Kinda Lucky adopted a wider, more varied approach.
In 1998 the singer and his bandmates stepped away from one another to pursue separate projects. Big Sandy’s solo outing Dedicated to You consisted of R&B and doo-wop covers, while the instrumental showcase Big Sandy Presents the Fly-Rite Boys highlighted the group’s musicianship. They reconvened to record the 1999 EP Radio Favorites; what began as three fresh tracks paired with three previously vinyl-only songs evolved into six brand-new recordings because the studio chemistry proved irresistible. Pianist Carl Sonny Leyland, who had joined after the sessions for Feelin’ Kinda Lucky, made his recorded debut with the band on that EP.
Night Tide surfaced in 2000, followed three years later by It’s Time!. In 2004 the compilation Rockin’ Big Sandy gathered highlights from the band’s Hightone and HMG catalog. Their 2006 Yep Roc album Turntable Matinee offered an expansive nod to Western swing, Memphis soul, and classic rock & roll. Following a seven-year hiatus, Big Sandy & His Fly-Rite Boys resurfaced in 2013 with What a Dream It’s Been, revisiting cherished numbers from their own songbook.
Born Robert Williams, Big Sandy absorbed jump blues from his parents’ record collection during childhood. The early-’80s rockabilly resurgence prompted him to begin performing with several neo-rockabilly outfits around Southern California. What started as a trio in 1988 soon grew into a full lineup that included Wally Hersom on bass, Lee Jeffriess on steel guitar, Ashley Kingman on guitar, and Bobby Trimble on drums. Two of those members, Kingman and Jeffriess, originated from the U.K., giving the group an international flavor.
After issuing a pair of albums under the name Big Sandy & the Fly-Rite Trio, the band delivered its first proper long-player, Jumping from 6 to 6, produced by former Blasters guitarist Dave Alvin. Their follow-up, Swingin’ West, arrived in 1995 and spotlighted the Western swing side of their style, whereas the 1997 release Feelin’ Kinda Lucky adopted a wider, more varied approach.
In 1998 the singer and his bandmates stepped away from one another to pursue separate projects. Big Sandy’s solo outing Dedicated to You consisted of R&B and doo-wop covers, while the instrumental showcase Big Sandy Presents the Fly-Rite Boys highlighted the group’s musicianship. They reconvened to record the 1999 EP Radio Favorites; what began as three fresh tracks paired with three previously vinyl-only songs evolved into six brand-new recordings because the studio chemistry proved irresistible. Pianist Carl Sonny Leyland, who had joined after the sessions for Feelin’ Kinda Lucky, made his recorded debut with the band on that EP.
Night Tide surfaced in 2000, followed three years later by It’s Time!. In 2004 the compilation Rockin’ Big Sandy gathered highlights from the band’s Hightone and HMG catalog. Their 2006 Yep Roc album Turntable Matinee offered an expansive nod to Western swing, Memphis soul, and classic rock & roll. Following a seven-year hiatus, Big Sandy & His Fly-Rite Boys resurfaced in 2013 with What a Dream It’s Been, revisiting cherished numbers from their own songbook.
Albums
