Conor Oberst

Conor Oberst's quivering vocals, acoustic strumming, and introspective lyricism helped define the softer, personal dimension of indie rock from the late 1990s onward. Bright Eyes served as his central endeavor, an ever-shifting ensemble that moved fluidly across pop, folk, electronica, and country-rock textures. While he anchored that collective, Oberst also contributed to Commander Venus, the Magentas, Park Ave., Desaparecidos, and an early incarnation of the Faint. On the business side, he co-established Saddle Creek Records during the 1990s and inaugurated his own imprint, Team Love, in 2003.

Born Conor Mullen Oberst on February 15, 1980, in Omaha, Nebraska, he picked up the guitar at age ten under the guidance of his brother Matt—who balanced part-time instruction with vocal duties in Sorry About Dresden—and their father. Three years afterward, his other sibling, Justin Oberst, underwrote the teenager's debut recording, Water, which included a guest appearance by local musician Ted Stevens, then active alongside Mike Mogis in Lullaby for the Working Class. That initial alliance foreshadowed Oberst's later collaborative output and strengthened his ties to Mogis, who would prove central to Bright Eyes.

Still in his early teens, Oberst entered Commander Venus and Norman Bailer—later renamed the Faint following his exit—in 1994. Todd Fink of the Faint subsequently teamed with Oberst in 1996 for the brief-lived Magentas. The same year, Oberst took up drums in Park Ave., a group that dissolved in 1998; former members Jamie Pressnall and Neely Jenkins subsequently formed Tilly and the Wall, whose releases appeared on Oberst's Team Love label.

Partnering once more with Mike Mogis, Oberst guided Bright Eyes to unexpected prominence through multiple late-'90s and early-2000s releases, even as he devoted intervals to Desaparecidos. Returning to Bright Eyes in 2002, he issued the introspective Lifted or the Story Is in the Soil, Keep Your Ear to the Ground that summer and supplemented it with several EPs. The pivotal 2005 double-album set I'm Wide Awake, It's Morning and Digital Ash in a Digital Urn both achieved prominent Billboard 200 placements, confirming Oberst's commercial reach.

After Bright Eyes delivered Cassadaga in 2007, Oberst withdrew to rural Mexico to craft his first solo album in some time. Working in an improvised studio with musicians collectively known as the Mystic Valley Band, he released Conor Oberst in 2008. While touring in support, the ensemble assembled Outer South, issued in 2009; the record spotlighted lead vocals and songwriting from multiple members, broadening the group's palette while preserving Oberst's leadership. Three years later, the documentary One of My Kind chronicled the Mystic Valley Band on DVD, bundled with a soundtrack of B-sides, unreleased material, and the tour-only Gentleman's Pact EP. Late in 2012, Oberst embarked on an extensive North American and European trek drawing from his various projects. He next collaborated with producer Jonathan Wilson on Upside-Down Mountain, his debut for Nonesuch Records, which appeared in 2014. The following year, Oberst returned to Omaha to compose and track his seventh album, Ruminations, released in 2016. He promptly followed that stripped-back effort with Salutations in 2017, presenting full-band renditions of the same material.