Biography
Dag Vag harnessed the punk wave for their launch in much the same manner as Docenterna, though the latter group formed two years afterward. They adopted a punk moniker and issued only a single punk single before shifting toward alternative pop. Whereas Docenterna gravitated toward catchy modern pop while retaining traces of punk attitude, Dag Vag drew primary inspiration from the Swedish progressive movement, including acts such as Träd, Gräs & Stenar, alongside world music and reggae. These sources were channeled into music that nevertheless remained firmly pop-oriented. Though not entirely without precedent, such a fusion proved uncommon on the Swedish rock scene throughout the 1980s. Dag Vag furthermore served as an important bridge for Swedish alternative music back to the 1970s, an era most 1980s bands deliberately rejected.
Per Odeltorp, known as Stig Vig, led the band Hottentots, which evolved into Dag Vag. They initially performed under the name Dag Vag & Svagsinta, yet shortened it to Dag Vag following their debut single. A stylistic transition from punk to reggae-infused pop accompanied their breakthrough with a cover of Anita Lindblom’s “Sånt är Livet.” By the time their first full-length album appeared in 1979, Dag Vag had already established a following in alternative circles. That release retained the reggae elements while incorporating new-wave touches. Brynn Settels, performing as Bumpaberra, departed temporarily, and Malin Bäckström gave way to Kenny Håkansson for the live album Scenbuddism. After substantial success with the subsequent studio album, the group attempted to expand internationally, but their sole English-language single, “Wipe Out,” met with complete commercial failure.
A further album recorded in Swedish, 7 Lyckliga Elefanter, appeared next. Settels had returned after collaborating with Peps Persson and introduced percussionist Per Tjärnborg. These two musicians appear to have extended the African influences beyond the reggae rhythms that had previously supported pop songwriting; several tracks on this release became straightforward Afro-pop set to Swedish lyrics, while reggae textures grew even more pronounced. The album is widely regarded as Dag Vag’s artistic high point and also achieved notable commercial results, positioning the band among Sweden’s top sellers. Their following album matched those sales figures, yet the group disbanded in 1983.
Vig formed Amazing Speedboats, while Johan Zachrisson embarked on a solo career under the name Zilversurfarn. Dag Vag reunited in 1988 and issued Helq in 1989. This album failed to replicate the success of the prior two, and when Zachrisson relocated to Portugal the next year the band’s momentum diminished. Zachrisson returned to participate in the recording of Halleluja!, yet shortly afterward the group ceased functioning as a performing and recording entity until a 2006 reunion. In later years Vig encountered kidney difficulties and underwent daily dialysis beginning in 2003, continuing until he received a transplant several years afterward. Vig passed away in his apartment on January 23, 2012.
Per Odeltorp, known as Stig Vig, led the band Hottentots, which evolved into Dag Vag. They initially performed under the name Dag Vag & Svagsinta, yet shortened it to Dag Vag following their debut single. A stylistic transition from punk to reggae-infused pop accompanied their breakthrough with a cover of Anita Lindblom’s “Sånt är Livet.” By the time their first full-length album appeared in 1979, Dag Vag had already established a following in alternative circles. That release retained the reggae elements while incorporating new-wave touches. Brynn Settels, performing as Bumpaberra, departed temporarily, and Malin Bäckström gave way to Kenny Håkansson for the live album Scenbuddism. After substantial success with the subsequent studio album, the group attempted to expand internationally, but their sole English-language single, “Wipe Out,” met with complete commercial failure.
A further album recorded in Swedish, 7 Lyckliga Elefanter, appeared next. Settels had returned after collaborating with Peps Persson and introduced percussionist Per Tjärnborg. These two musicians appear to have extended the African influences beyond the reggae rhythms that had previously supported pop songwriting; several tracks on this release became straightforward Afro-pop set to Swedish lyrics, while reggae textures grew even more pronounced. The album is widely regarded as Dag Vag’s artistic high point and also achieved notable commercial results, positioning the band among Sweden’s top sellers. Their following album matched those sales figures, yet the group disbanded in 1983.
Vig formed Amazing Speedboats, while Johan Zachrisson embarked on a solo career under the name Zilversurfarn. Dag Vag reunited in 1988 and issued Helq in 1989. This album failed to replicate the success of the prior two, and when Zachrisson relocated to Portugal the next year the band’s momentum diminished. Zachrisson returned to participate in the recording of Halleluja!, yet shortly afterward the group ceased functioning as a performing and recording entity until a 2006 reunion. In later years Vig encountered kidney difficulties and underwent daily dialysis beginning in 2003, continuing until he received a transplant several years afterward. Vig passed away in his apartment on January 23, 2012.
Albums
Live
