Biography
A nine-time All-Ireland fiddle champion, American-born fiddler Eileen Ivers built a career that carried the Irish tradition far beyond its folk origins into worldwide recognition. Early session work and partnerships during the 1980s and 1990s placed her alongside Hall & Oates, Paula Cole, the Chieftains, Patti Smith, Sting, and Regina Carter, while her own recordings further broadened the music’s reach without loosening its traditional anchors. Landmark releases such as 1996’s Wild Blue and 1999’s Crossing the Bridge established her distinctive voice, and she also performed as a cast member in Bill Whelan’s Riverdance and contributed to film scores including Gangs of New York. She later led the fusion ensemble Immigrant Soul and appeared frequently as a guest soloist with major orchestras before issuing the 2019 soundtrack to her multimedia production Beyond the Bog Road.
Born in New York’s Woodland Heights neighborhood of the Bronx, Ivers received her musical foundation from parents John and Annie, both emigrants from County Mayo. Although she and her sister Maureen first studied Irish dance, Ivers switched to the fiddle by age eight and trained under County Limerick-born Martin Mulvihill. After earning a magna cum laude degree in mathematics from Iona University, she committed fully to music and immersed herself in the East Coast Irish traditional circuit.
Early performances alongside Mick Moloney led her into the original lineup of the all-female group Cherish the Ladies and later into Moloney’s Irish-American collective Green Fields of America. Following a brief collaboration with Luka Bloom in the late 1980s, she joined Hall & Oates for a year-long stadium tour that exposed her playing to large audiences across the United States. Back in New York she formed connections with John Doyle, Seamus Egan, and percussionist Kimitri Dinizulu, performing regularly with Dinizulu at Monday-night sessions in Paddy Reilly’s Bar and later joining Paddy A Go Go, the band assembled by Chris Byrne of Black 47. Although a 1987 duo recording with accordionist John Whelan preceded it, her first proper solo statement arrived with 1994’s Traditional Irish Music on Green Linnet; the following year she replaced Máire Bhreatnach as lead fiddler in Riverdance.
Her subsequent solo album Wild Blue showcased her signature blue electric fiddle, while Crossing the Bridge, released in 1999, featured Seamus Egan, Steve Gadd, Randy Brecker, and Al di Meola. That same year she appeared on James Horner’s Back to Titanic, and in 2002 she contributed to the soundtrack of Martin Scorsese’s Gangs of New York. The 2003 project Eileen Ivers and Immigrant Soul further highlighted her interest in cross-cultural fusion. Throughout the 2000s she maintained an active schedule of tours and collaborations, issued a Christmas album in 2007, and partnered with composer Brian Keane on scores for the PBS documentary Into the Deep: America, Whaling & the World and the BBC America series Copper. Early 2016 brought the release of the Beyond the Bog Road soundtrack, which traces the interplay between Irish and North American musical traditions, while her 2020 album Scatter the Light consisted primarily of original improvisations.
Born in New York’s Woodland Heights neighborhood of the Bronx, Ivers received her musical foundation from parents John and Annie, both emigrants from County Mayo. Although she and her sister Maureen first studied Irish dance, Ivers switched to the fiddle by age eight and trained under County Limerick-born Martin Mulvihill. After earning a magna cum laude degree in mathematics from Iona University, she committed fully to music and immersed herself in the East Coast Irish traditional circuit.
Early performances alongside Mick Moloney led her into the original lineup of the all-female group Cherish the Ladies and later into Moloney’s Irish-American collective Green Fields of America. Following a brief collaboration with Luka Bloom in the late 1980s, she joined Hall & Oates for a year-long stadium tour that exposed her playing to large audiences across the United States. Back in New York she formed connections with John Doyle, Seamus Egan, and percussionist Kimitri Dinizulu, performing regularly with Dinizulu at Monday-night sessions in Paddy Reilly’s Bar and later joining Paddy A Go Go, the band assembled by Chris Byrne of Black 47. Although a 1987 duo recording with accordionist John Whelan preceded it, her first proper solo statement arrived with 1994’s Traditional Irish Music on Green Linnet; the following year she replaced Máire Bhreatnach as lead fiddler in Riverdance.
Her subsequent solo album Wild Blue showcased her signature blue electric fiddle, while Crossing the Bridge, released in 1999, featured Seamus Egan, Steve Gadd, Randy Brecker, and Al di Meola. That same year she appeared on James Horner’s Back to Titanic, and in 2002 she contributed to the soundtrack of Martin Scorsese’s Gangs of New York. The 2003 project Eileen Ivers and Immigrant Soul further highlighted her interest in cross-cultural fusion. Throughout the 2000s she maintained an active schedule of tours and collaborations, issued a Christmas album in 2007, and partnered with composer Brian Keane on scores for the PBS documentary Into the Deep: America, Whaling & the World and the BBC America series Copper. Early 2016 brought the release of the Beyond the Bog Road soundtrack, which traces the interplay between Irish and North American musical traditions, while her 2020 album Scatter the Light consisted primarily of original improvisations.
Albums
