Erasmo Carlos

Erasmo Carlos stood as a foundational presence in Brazilian rock, widely viewed as the originator of its distinctly national character. His stature as a composer proved especially vital through his long-running creative alliance with Roberto Carlos, whose joint output attracted frequent covers from leading interpreters, while his own solo catalog grew to impressive proportions. Rock & roll shaped his approach from the start, and he acquired his earliest chords from Tim Maia in 1957. That same year he entered Maia's pioneering group Os Sputniks alongside Roberto Carlos, an ensemble that anticipated Brazilian soul. The following year he took the vocal role in the Snacks, once more with Roberto Carlos. Radio and television appearances on programs including Os Brotos Comandam (Rádio Guanabara and TV Continental) and Festival de Brotos (TV Tupi) occupied him until the mid-1960s; these broadcasts foreshadowed the Jovem Guarda movement. From 1965 to 1967 he served as vocalist and guitarist in Renato e Seus Blue Caps. His initial composition, "Eu Quero Twist," was first recorded by Agnaldo Rayol for Copacabana. His debut vocal release arrived in 1962 with "Terror Dos Namorados," co-written with Roberto Carlos. The pair soon followed with "Parei na Contramão," which cemented their partnership, and "Festa de Arromba," another joint effort that became a major success in 1964. In September 1965 TV Record introduced Jovem Guarda, a program aimed at younger viewers that launched the movement credited with accelerating bossa nova's early demise. On the show Erasmo Carlos performed as the Tremendão while co-hosting with Roberto Carlos and Wanderléa. Numerous songs by Roberto and Erasmo achieved widespread popularity, among them "Quero Que Tudo Vá Para o Inferno," which emerged as a generational anthem. After Jovem Guarda concluded, Carlos sustained his momentum through continued album releases and live work while his compositions kept finding new interpreters. His first screen appearance came in 1968 in Roberto Carlos em Ritmo de Aventura. That year he faced charges of corrupting youth over his sensual performances and received a two-year performance ban. Further film roles followed in Roberto Carlos e o Diamante Cor-de-Rosa in 1969 and A 300 km por Hora in 1970. In 1972 he received the Coruja de Ouro award for his work in the 1971 film Os Machões. In 1974 he assembled the rock band Companhia Brasileira de Rock, whose lineup included guitarist Liminha, saxophonist Yon, bassist Rubão, pianist Sérgio Kaça, and drummer Dinho. The group performed at the Hollywood Rock Festival and, in 1985, delivered a landmark set at Rock in Rio before 250,000 spectators. In 1997 he and Roberto Carlos received the Shell prize for their collective body of work. Carlos stayed active with concerts, reinterpretations of earlier hits, and ongoing collaborations. At age sixty in 2001 he released Pra Falar de Amor, an album of songs by other writers; its single "Mais um Na Multidão" was a duet with Marisa Monte on a track she co-wrote with Carlinhos Brown. The following year the box set Mesmo Que Seja Eu marked his fortieth anniversary, compiling his complete recordings from 1971 to 1988 together with extensive unreleased material. Santa Música arrived in 2004 and signaled his return to entirely original songs. Erasmo Carlos Convida II in 2007 featured further duets with guests including Marisa Monte, Milton Nascimento, Los Hermanos, and Lulu Santos. His memoir Minha Fama de Mau appeared in 2009 alongside the album Rock 'n' Roll, which earned a Grammy nomination and won Brazil's Album of the Year award. The 2011 release Sexo addressed explicit themes in a manner widely praised for its creativity and daring, and the supporting tour collected multiple "performance of the year" honors. In later years live albums and compilations formed the bulk of his output. Early in 2017 the U.S. label Light in the Attic simultaneously reissued three 1970s titles: Erasmo Carlos e Os Tremendões (1971), Carlos, Erasmo (1972), and Sonhos e Memórias 1941-1972 (1974). Erasmo Carlos died on November 22, 2022, at a hospital in Rio de Janeiro at the age of 81.