Hilary Hahn

Hilary Hahn rose to prominence among top violinists worldwide during the closing years of the 1990s, establishing herself as a prodigy who captivated global listeners prior to turning eighteen. Over the subsequent ten years, acclaim followed her interpretations of classic concerto pieces spanning from Bach through Barber, in addition to modern compositions by Edgar Meyer and Jennifer Higdon. Those two musicians each wrote violin concertos specifically for her, with debuts occurring in 1999 and 2009 in that order. During the 2010s, she attained the number one position on Billboard's classical chart via Hilary Hahn Plays Higdon & Tchaikovsky: Violin Concertos (2010) together with Hilary Hahn Plays Bach: Sonatas 1 & 2, Partita 1 (2018).

Lexington, Virginia, marked her birthplace in 1979, after which she commenced violin instruction in a Baltimore Suzuki program shortly before her fourth birthday. Roughly twelve months later, private lessons began under Klara Berkovich, and the pair continued their collaboration for five years at Peabody Prep. An audition at the Curtis Institute of Music led to acceptance, where violinist Jascha Brodsky, then aged eighty-three, became her instructor. Her initial full recital took place at Peabody in 1990, followed a little over a year afterward by a major orchestral debut alongside the Baltimore Symphony Orchestra. Four years subsequent to that event, at age fifteen, her European debut arrived via a radio broadcast featuring Lorin Maazel and the Bavarian Radio Symphony Orchestra. Balancing home schooling with studies at the Curtis Institute, she fulfilled requirements for both her high-school diploma and bachelor's degree by age sixteen, coinciding with Sony Classical extending a recording contract. Still under Brodsky's guidance at that juncture, she remained his pupil until his passing in 1997. That same year brought the issuance of her debut album, Hilary Hahn Plays Violin, and a Carnegie Hall debut occurred soon thereafter. She chose to stay enrolled at the Curtis Institute, pursuing literature coursework and refining her performance abilities through 1999. In that year she issued her second album, pairing Beethoven's Violin Concerto with Bernstein's Serenade, while also presenting the world premiere of the Edgar Meyer Violin Concerto. A recording of the latter appeared the following year on Barber & Meyer Violin Concertos, succeeded in 2001 by Brahms & Stravinsky Violin Concertos, which secured a Grammy for Best Instrumental Soloist Performance. One further Sony release arrived in 2002 with Mendelssohn & Shostakovich Concertos before she entered an agreement with Deutsche Grammophon, whose first offering was Bach: Concertos in 2003.

By that stage she ranked among world-class violinists and encountered strong demand across multiple continents throughout the ensuing years. She served as violin soloist on James Newton Howard's score for M. Night Shyamalan's 2004 film The Village. Branching into crossover territory in 2005, she presented a series of concerts with American singer and songwriter Tom Brosseau, then repeated such explorations two years later alongside Josh Ritter. Additional partnerships included the indie rock group ...And You Will Know Us by the Trail of Dead. Concurrently she released recordings of pieces by Mozart, Elgar, and Paganini, among further composers, while 2008's Schoenberg, Sibelius: Violin Concertos earned her a Grammy for instrumental soloist performance with orchestra. The next year she commissioned a concerto from Jennifer Higdon, which garnered the composer a Pulitzer Prize in 2010; the Deutsche Grammophon recording issued that September presented Hahn with the Royal Liverpool Philharmonic. Also in 2010 she achieved a Top Ten classical album with Bach: Violin and Voice, featuring baritone Matthias Goerne and soprano Christine Schäfer.

After further albums devoted to Mozart, Korngold, and Ives, she joined German prepared piano player Hauschka, also known as Volker Bertelmann, for the entirely improvised 2012 release Silfra. She next launched the project In 27 Pieces: The Hilary Hahn Encores, commissioning works from numerous composers for use during tours throughout the 2012-2013 season. The resulting album received a Grammy Award for Best Chamber Music/Small Ensemble Performance in 2015. That year Sony issued Hilary Hahn: The Complete Sony Recordings. Deutsche Grammophon followed with its own retrospective collection in 2018, the same year that brought Hilary Hahn Plays Bach: Sonatas 1 & 2, Partita 1, her first recording for Decca, which ascended to the top of the classical albums chart.