Artist

James Carter

Genre: Jazz ,Contemporary Jazz ,Post-Bop ,Avant-Garde Jazz ,Jazz Instrument ,Progressive Jazz ,Modern Creative ,Saxophone Jazz
Origin: U.S.A
Active: 1985 - Present
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James Carter, a jazz saxophonist celebrated for his exuberant delivery and technical command, stirred intense critical attention upon surfacing in the New York scene after leaving his Detroit birthplace in the early 1990s. Released first in Japan when the musician was just 23, his debut JC on the Set reached American stores in 1993 and drew widespread praise as the strongest introductory saxophone statement in many years. Reviewers singled out his capacity to navigate nearly every jazz idiom while avoiding imitation of predecessors. Building on that foundation, Carter delved into the compositions of Django Reinhardt for the 2000 album Chasin' the Gypsy, demonstrated his command of classical repertoire on the 2011 release Caribbean Rhapsody, and reunited with his soulful organ trio for Live from Newport Jazz in 2019; his commanding baritone saxophone technique further took center stage on the 2024 solo outing Un (Unaccompanied Baritone Saxophone).

Born in Detroit in 1969, Carter took up the instrument at age 11 and received early guidance from trumpeter Marcus Belgrave. Displaying prodigious growth, he joined Wynton Marsalis on tour in 1986 at age 17, then became a member of Lester Bowie's Brass Fantasy in 1988 after settling in New York. Between 1993 and 2000 he issued six albums under his own name, each pursuing a distinct direction that ranged from the standards collection Conversin' with the Elders in 1995 through the electric funk project Layin' in the Cut to the simultaneously issued Chasin the Gypsy, which paid tribute to Django Reinhardt. Three years after that project he saluted Billie Holiday on Gardenias for Lady Day.

After shifting from Columbia to Warner Bros., Carter documented a performance at Baker's Keyboard Lounge that appeared in spring 2004, followed in 2005 by the independent Half Note release Out of Nowhere. Additional appearances and recordings found him alongside the Lincoln Center Jazz Orchestra, Cyrus Chestnut, Rodney Whitaker, Frank Lowe, the late Julius Hemphill, pop-jazz vocalist Madeleine Peyroux, Ronald Shannon Jackson, Tough Young Tenors, and the Charles Mingus Big Band. Present Tense arrived on Universal Jazz in 2008; the next year he issued the live album Heaven on Earth, recorded with a jazz supergroup that included organist John Medeski and bassist Christian McBride.

Caribbean Rhapsody, issued in 2011, documented Carter's partnership with classical composer Roberto Sierra and featured the "Concerto for Saxophone and Orchestra." He also reconvened his Organ Trio—comprising fellow Detroiters organist Gerard Gibbs and drummer Leonard King, Jr.—for the Emarcy album At the Crossroads, produced by Michael Cuscuna. The concert recording Live from Newport Jazz, captured with the same trio at the longstanding festival, surfaced in 2019 and reached the top 10 of Billboard's Jazz Albums chart. Further wide-ranging ventures included D(IVO), the 2022 debut from Carter's exploratory saxophone quartet with Tim Berne, Tony Malaby, and Ivo Perelman, plus the 2022 collaboration Reed Rapture in Brooklyn with Perelman. The following year he placed his outsized baritone saxophone skills on full display for the solo album Un (Unaccompanied Baritone Saxophone).