Biography
Active during the Baroque period, Johann Heinrich Schmelzer gained fame across Austria both as a composer and as a violinist whose performances displayed exceptional skill. Present-day interest in his work stems from the ways he advanced violin technique and helped shape the sonata as a musical form.
Austria was the site of his birth sometime between 1620 and 1623, yet records of his childhood are almost nonexistent. The first surviving document tied to his life is the marriage certificate issued for his initial wedding in 1643, which listed him as a cornetist serving at St. Stephen's Cathedral in Vienna. That position most likely began during the 1630s, although any training or activities preceding it remain entirely undocumented.
He stood among the leading violinists throughout Europe in the 1650s and 1660s, a period during which he also provided music instruction to Emperor Leopold I. One of the earliest collections scored for violin and continuo appeared in 1664 under the title Sonatae unarum fidium; its pages introduced new bowing strokes and extended virtuosic passages that covered the instrument's complete range, thereby accelerating technical progress on the violin.
The Habsburg court named him vice-kapellmeister in 1671, placing him under the direction of the senior kapellmeister Giovanni Felice Sances. Two years later Emperor Leopold I conferred noble rank, after which Schmelzer appended “von Ehrenruef” to his surname. When Sances died in 1679, Schmelzer von Ehrenruef succeeded him as kapellmeister, only to contract the plague and die three months afterward.
Three sons—Andreas Anton, George Joseph, and Peter Clemens—followed him into musical professions. His surviving output encompasses hundreds of sacred pieces, chamber compositions, and theatrical scores. Contemporary recordings of this repertory include those made by David Irving, Tekla Cunningham, and the Klingzeug Barockensemble.
Austria was the site of his birth sometime between 1620 and 1623, yet records of his childhood are almost nonexistent. The first surviving document tied to his life is the marriage certificate issued for his initial wedding in 1643, which listed him as a cornetist serving at St. Stephen's Cathedral in Vienna. That position most likely began during the 1630s, although any training or activities preceding it remain entirely undocumented.
He stood among the leading violinists throughout Europe in the 1650s and 1660s, a period during which he also provided music instruction to Emperor Leopold I. One of the earliest collections scored for violin and continuo appeared in 1664 under the title Sonatae unarum fidium; its pages introduced new bowing strokes and extended virtuosic passages that covered the instrument's complete range, thereby accelerating technical progress on the violin.
The Habsburg court named him vice-kapellmeister in 1671, placing him under the direction of the senior kapellmeister Giovanni Felice Sances. Two years later Emperor Leopold I conferred noble rank, after which Schmelzer appended “von Ehrenruef” to his surname. When Sances died in 1679, Schmelzer von Ehrenruef succeeded him as kapellmeister, only to contract the plague and die three months afterward.
Three sons—Andreas Anton, George Joseph, and Peter Clemens—followed him into musical professions. His surviving output encompasses hundreds of sacred pieces, chamber compositions, and theatrical scores. Contemporary recordings of this repertory include those made by David Irving, Tekla Cunningham, and the Klingzeug Barockensemble.
Albums
