Artist

Jon Spencer & the HITmakers

Genre: Punk ,Garage Punk ,Noise-Rock ,Punk Blues
Origin: U.S.A
Listen on Coda
Emerging as a dynamic blend of sonic chaos and rhythmic drive, Jon Spencer & the HITmakers function as a modern platform for an established figure in noise rock and punk blues. After the Jon Spencer Blues Explosion dissolved, the group issued its first recording, Spencer Gets It Lit, in 2022, offering a more restrained yet inventive approach to Spencer's familiar subjects through 13 tracks that paired dreamlike words and forceful singing with grooves drawn from R&B, the lean rawness of garage punk, and dissonant electronic touches that added depth.

Jon Spencer entered the world in 1965 and launched his musical path at Brown University by performing in the industrial noise outfit Shithaus alongside future Cop Shoot Cop vocalist Tod Ashley. His initial broad notice arrived via Pussy Galore, assembled in 1985 in Washington, D.C.; handling guitar and vocals, Spencer guided the band to a substantial cult audience after a move to New York, where listeners embraced its unpolished, abrasive sound and deliberately provocative words. The unit produced four albums and toured widely until its 1990 split. Guitarist Neil Hagerty went on to form Royal Trux, drummer Bob Bert spent time in Sonic Youth, and singer/multi-instrumentalist Cristina Martinez later appeared in Boss Hog with Spencer, whom she also married.

Soon after Pussy Galore ended, Spencer assembled the Jon Spencer Blues Explosion alongside guitarist Judah Bauer and drummer Russell Simins. This trio became his most successful project, tempering the earlier din with a more approachable, high-energy style rooted in R&B, blues, and rockabilly and driven by Spencer's restless delivery. Their self-titled debut arrived in 1992; relentless road work, grassroots enthusiasm, and occasional MTV exposure built an international following larger than any prior Spencer venture. While Crypt Style (1992) and Extra Width (1993) captured their vigorous stage presence, Now I Got Worry (1996) and Acme (1998) showed growing studio ambition. Credibility among blues listeners grew further when the group supported Mississippi juke joint legend R.L. Burnside on his 1996 release A Ass Pocket of Whiskey. Following 2004's Damage the band paused, then resurfaced with Meat + Bone in 2012 and the strong Freedom Tower: No Wave Dance Party 2015.

After the tour supporting Freedom Tower the Blues Explosion entered hiatus; in 2022 Spencer disclosed its quiet dissolution, partly tied to Judah Bauer's health concerns that complicated live dates. He stepped forward alone in 2018 with the solo album Spencer Sings the Hits, featuring Sam Coomes of Quasi on keyboards and M. Sord of Boss Hog on percussion. Preparing the next record, Spencer recruited a band for both studio and stage work, resulting in Jon Spencer & the HITmakers. The lineup reunited Coomes and Sord while adding former Pussy Galore colleague Bob Bert on trash, the latter literally generating percussive noise from junk. This configuration recorded Spencer Gets It Lit, released in April 2022 and quickly followed by live dates on which Janet Weiss of Quasi and Sleater-Kinney replaced Sord at the drum kit.