Biography
During the early to mid-1960s, Judy Roderick earned recognition as one of the standout white folk and blues vocalists, building a devoted audience through performances at premier East Coast spots such as the Second Fret in Philadelphia, Club 47 in Cambridge, and Cafe Au Go Go in New York City. Releases on Columbia and Vanguard Records drew strong critical praise. Starting in 1966, she partnered on songwriting with lyricist Bill Ashford, later joining Atlantic/Atco in 1970 to cut Nevada Jukebox, an album of fresh material, alongside her group 60,000,000 Buffalo.
She studied at the University of Colorado and took gigs at local Boulder and Denver clubs, among them the Attic, where she encountered fellow performers including Judy Collins and David Crosby. After relocating to New York City, Roderick secured a Columbia contract in 1963 and tracked two albums, though just one reached the public. That project, Ain't Nothin' But the Blues, blended traditional acoustic folk numbers with expansive blues settings and featured early harmonica work from John Hammond. Roderick viewed the follow-up as an artistic failure, prompting her exit from the label, and the recording stayed unreleased.
Vanguard quickly picked her up, resulting in the acclaimed 1965 album Woman Blue. One volume of the label’s Newport Folk Festival series spotlighted her as well. Over the ensuing years she shared bills with Eric Anderson, Vince Martin, Fred Neil, Tim Hardin, the Youngbloods, and other artists. Returning to Colorado in 1969, she signed with Atlantic, assembled 60,000,000 Buffalo, and, under producer Bill Szymczyk, laid down the landmark rock album Nevada Jukebox in 1971; the band dissolved the following year.
Roderick passed her final period in Montana. Tim and Mollie O'Brien included the Bill Ashford collaboration “Floods of South Dakota” on their album Remember Me, earning a Grammy nomination for their rendition. Her final sessions appeared on a privately issued cassette that featured Mac Rebennack on several tracks. Diabetic complications claimed Judy Roderick in 1992.
She studied at the University of Colorado and took gigs at local Boulder and Denver clubs, among them the Attic, where she encountered fellow performers including Judy Collins and David Crosby. After relocating to New York City, Roderick secured a Columbia contract in 1963 and tracked two albums, though just one reached the public. That project, Ain't Nothin' But the Blues, blended traditional acoustic folk numbers with expansive blues settings and featured early harmonica work from John Hammond. Roderick viewed the follow-up as an artistic failure, prompting her exit from the label, and the recording stayed unreleased.
Vanguard quickly picked her up, resulting in the acclaimed 1965 album Woman Blue. One volume of the label’s Newport Folk Festival series spotlighted her as well. Over the ensuing years she shared bills with Eric Anderson, Vince Martin, Fred Neil, Tim Hardin, the Youngbloods, and other artists. Returning to Colorado in 1969, she signed with Atlantic, assembled 60,000,000 Buffalo, and, under producer Bill Szymczyk, laid down the landmark rock album Nevada Jukebox in 1971; the band dissolved the following year.
Roderick passed her final period in Montana. Tim and Mollie O'Brien included the Bill Ashford collaboration “Floods of South Dakota” on their album Remember Me, earning a Grammy nomination for their rendition. Her final sessions appeared on a privately issued cassette that featured Mac Rebennack on several tracks. Diabetic complications claimed Judy Roderick in 1992.
Albums
