Biography
Mischa Maisky, born in the Soviet Union and later based in Israel, brings to the cello an intensely expressive, romantically inflected manner that extends a long-standing Russian lineage of passionate interpretation. He remains the sole cellist to have worked directly with both Mstislav Rostropovich and Gregor Piatigorsky, and he has in turn shaped a generation of younger players through his own teaching.
Born January 10, 1948, in Riga, Latvia—then part of the Soviet Union—under the Latvian spelling Miša Maiskis, Maisky grew up alongside his older brother Valery, an organist and harpsichordist. He began cello lessons at eight and enrolled at the Riga Conservatory, yet soon grew restless with its inflexible program. Relocating in 1965 to Leningrad, now St. Petersburg, he quickly distinguished himself, capturing a national cello competition, appearing with the Leningrad Philharmonic, and earning a prize at Moscow’s International Tchaikovsky Competition. Rostropovich, serving on that jury, offered him admission to the Moscow Conservatory as his pupil.
A promising trajectory was interrupted when his sister emigrated to Israel, placing Maisky under political suspicion. Convicted for the minor offense of acquiring a tape recorder on the black market, he spent eighteen months in a labor camp. Upon release he faced conscription but sidestepped military service by admitting himself to a psychiatric facility. Authorities finally permitted his departure to Israel in 1972, provided he repaid the full cost of his Soviet education. Jerusalem mayor Teddy Kollek secured assistance from American donors, enabling the move; Maisky would not revisit Russia until 1995. He performed with the Israel Philharmonic on tours that included the United States, and while in California he met Piatigorsky, who accepted him as his final student.
During the late 1970s Maisky performed in London with the Royal Philharmonic Orchestra and gave well-received recitals alongside pianist Radu Lupu. Over the ensuing years his recital partners grew still more illustrious, encompassing Vladimir Ashkenazy, Martha Argerich, and Gidon Kremer. His accounts of Bach’s solo cello suites drew particular notice; he recorded the cycle for Deutsche Grammophon and, in 2000, presented one hundred Bach performances worldwide, three of them on a single day. He has appeared in concertos under leading conductors such as Valery Gergiev, Mariss Jansons, and Gustavo Dudamel.
Maisky has committed the principal cello repertoire to disc for Deutsche Grammophon, issuing new recordings nearly every year. Several projects have featured his daughter, pianist Lily Maisky, among them ¡España! (2011) and 20th Century Classics (2019).
Born January 10, 1948, in Riga, Latvia—then part of the Soviet Union—under the Latvian spelling Miša Maiskis, Maisky grew up alongside his older brother Valery, an organist and harpsichordist. He began cello lessons at eight and enrolled at the Riga Conservatory, yet soon grew restless with its inflexible program. Relocating in 1965 to Leningrad, now St. Petersburg, he quickly distinguished himself, capturing a national cello competition, appearing with the Leningrad Philharmonic, and earning a prize at Moscow’s International Tchaikovsky Competition. Rostropovich, serving on that jury, offered him admission to the Moscow Conservatory as his pupil.
A promising trajectory was interrupted when his sister emigrated to Israel, placing Maisky under political suspicion. Convicted for the minor offense of acquiring a tape recorder on the black market, he spent eighteen months in a labor camp. Upon release he faced conscription but sidestepped military service by admitting himself to a psychiatric facility. Authorities finally permitted his departure to Israel in 1972, provided he repaid the full cost of his Soviet education. Jerusalem mayor Teddy Kollek secured assistance from American donors, enabling the move; Maisky would not revisit Russia until 1995. He performed with the Israel Philharmonic on tours that included the United States, and while in California he met Piatigorsky, who accepted him as his final student.
During the late 1970s Maisky performed in London with the Royal Philharmonic Orchestra and gave well-received recitals alongside pianist Radu Lupu. Over the ensuing years his recital partners grew still more illustrious, encompassing Vladimir Ashkenazy, Martha Argerich, and Gidon Kremer. His accounts of Bach’s solo cello suites drew particular notice; he recorded the cycle for Deutsche Grammophon and, in 2000, presented one hundred Bach performances worldwide, three of them on a single day. He has appeared in concertos under leading conductors such as Valery Gergiev, Mariss Jansons, and Gustavo Dudamel.
Maisky has committed the principal cello repertoire to disc for Deutsche Grammophon, issuing new recordings nearly every year. Several projects have featured his daughter, pianist Lily Maisky, among them ¡España! (2011) and 20th Century Classics (2019).
Albums

Mischa Maisky: Rare Recordings
2021

20th Century Classics
2019

Adagietto
2018

J.S. Bach: Concerto in D Minor, BWV 974, 2. Adagio (Arr. for Cello and Piano by Mischa Maisky)
2018

Tchaikovsky / Rachmaninov: Trios
2016

Bach: Goldberg Variations, BWV 988
2016

10 Classic Albums
2013

The Complete Duo Recordings
2012

¡España! - Songs and Dances from Spain
2011

Tchaikovsky/Rachmaninov: Piano Trios
2009

Morgen Strauss / Dvorák
2008

Mischa Maisky - Song of the Cello
2007

Rachmaninov - Elegie
2007

Bach: Goldberg Variations, transcribed for String Trio
2006

Favourite Cello Concertos
2005

Vocalise
2005

Mischa Maisky / Martha Argerich - In Concert
2005

Brahms: Klavierquartett, Op.25 / Schumann: Fantasiestücke, Op.88
2004

Bach: Complete Sonatas, Partitas & Suties for Violin, Cello & Guitar
2003

Dvorák: Cello Concerto / Strauss, R.: Don Quixote
2003

Elgar:"Enigma" Variations; Cello Concerto
2003

Elgar: Cello Concerto op.85 · Enigma Variations · Pomp and Circumstance 1 & 4
2003

Mendelssohn: Cello Sonatas; Songs without Words
2002

Brahms: Klavierquartett Op. 25 – Schumann: Fantasiestücke Op. 88
2002

Live in Japan
2001

Schumann: Cello Concerto; Chamber Music
2000

Bach: Six Suites for Solo Cello
1999

Brahms: Cello Sonata No.1 in E Minor Op.38
1999

Shostakovich / Tchaikovsky: Piano Trios
1999

Mischa Maisky - Après un rêve
1999

Saint-Saëns: Cello Concerto No.1; Cello Sonata No.1; Suite, Op. 16; Le Cygne From Le Carnival Des Animaux; Allegro Apassionato, Op. 43; Romance In F Major, Op. 36
1998

Brahms: Violin Concertos Opp.77 & 102
1997

Tchaikovsky: Rococo Variations; Souvenir de Florence; Lensky's Aria From "Eugen Onegin"; Nocturne In D Minor (From Op. 19, No. 4); Andante Cantabile, Op. 11
1997

Brahms: Songs without Words
1997

Schubert: Songs without Words
1996

Prokofiev: Sinfonia Concertante; Miaskovsky: Cello Concerto
1996

Dvorák / Schumann: Cello Concertos
1996

Vivaldi / Boccherini: Cello Concertos
1995

Shostakovich: Cello Concertos, Nos. 1, Op. 107 & 2 Op. 126
1995

Shostakovich: Cello Concertos 1 & 2
1995

Beethoven: The Cello Sonatas
1994

Elgar: Enigma Variations; Cello Concerto; Serenade For Strings
1994

Cellissimo
1994

Beethoven: Cello Sonatas Op.69 & 102; Variations
1993

Mischa Maisky - Adagio
1992

Mischa Maisky - Meditation
1990

Dvorak: Cello Concerto / Bloch: Schelomo
1989

Haydn: Cello Concertos Nos.1 & 2; Violin (Cello) Concerto No.4
1987

Haydn: Cellokonzerte
1987

Bach, J.S.: 6 Suites for Solo Cello
1985

Schumann: Fantasiestücke / Schubert: Arpeggione Sonata etc.
1985

Bach, J.S.: Cello Sonatas BWV 1027-1029
1985

Franck & Debussy: Cello Sonatas
1983
Live

Mischa Maisky in Verbier (Live)
2024

Tchaikovsky: Nocturne in D Minor, Op. 19 No. 4 (Version for Cello and Orchestra) (Live)
2024

The Verbier Festival Celebrates Rodion Shchedrin At Ninety (Live)
2022

Shchedrin: Double Concerto for Piano, Cello, and Orchestra "Romantic Offering": II. Allegro (Live)
2022

Prokofiev: Piano Concerto No. 3 in C Major, Op. 26: III. Allegro, ma non troppo (Live)
2022

Shostakovich: Piano Trio No. 1, Op. 8 (Live from Verbier Festival / 2017)
2020

Shostakovich: Piano Trio No. 1, Op. 8: II. Andante - Meno mosso - Moderato - Allegro - Prestissimo fantastico - Andante - Poco più mosso (Live from Verbier Festival / 2017)
2020

Bloch: From Jewish Life, B 54: 1. Prayer (Live at Schloss Elmau, Krün / 2016)
2019
