Biography
Roy Milton anchored the rhythm section as drummer for his jump blues outfit the Solid Senders, granting him full command over how forcefully or gently the group moved. Drawing on his sharp rhythmic instincts, he applied that control to full effect, anchoring the steady pulse on the 1946 Juke Box release “R.M. Blues” that carried the track high on the R&B charts, with his own assured singing supplying additional momentum.
His childhood unfolded on an Oklahoma Indian reservation, reflecting his Native American maternal grandmother, before he relocated to Tulsa. In the late 1920s he sang with Ernie Fields’s territory band and began doubling on drums after the regular player was arrested one evening. Deciding to leave Fields in 1933, he traveled west to Los Angeles and assembled the Solid Senders. The year 1945 marked a turning point: he signed with Juke Box, soon renamed Specialty, while the band also shot three soundies featuring vocalist June Richmond.
Strong sales of “R.M. Blues” gave Specialty lasting stability. Rupe responded by booking Milton repeatedly through 1953, resulting in nineteen Top Ten R&B hits for the Solid Senders that included “Milton’s Boogie,” “True Blues,” “Hop, Skip and Jump,” “Information Blues,” “Oh Babe”—a heated reading of Louis Prima’s lively jump tune—and “Best Wishes.” Group pianist Camille Howard, known for her boogie style, added vocals to several sides such as the 1947 hit “Thrill Me” while simultaneously developing her own Specialty career.
After building a substantial catalog that helped establish Specialty, Milton later recorded for Dootone, King (where he cut the instrumental “Succotash”), and Warwick (which yielded a modest 1961 R&B entry, “Red Light”), each move bringing reduced commercial returns. Although he helped shape postwar R&B, rock & roll eventually cast him as a relic of an earlier era.
He continued performing, however, and delivered an energetic set at the 1970 Monterey Jazz Festival with Johnny Otis’s all-star group. The same swinging feel likely carried him to the end.
His childhood unfolded on an Oklahoma Indian reservation, reflecting his Native American maternal grandmother, before he relocated to Tulsa. In the late 1920s he sang with Ernie Fields’s territory band and began doubling on drums after the regular player was arrested one evening. Deciding to leave Fields in 1933, he traveled west to Los Angeles and assembled the Solid Senders. The year 1945 marked a turning point: he signed with Juke Box, soon renamed Specialty, while the band also shot three soundies featuring vocalist June Richmond.
Strong sales of “R.M. Blues” gave Specialty lasting stability. Rupe responded by booking Milton repeatedly through 1953, resulting in nineteen Top Ten R&B hits for the Solid Senders that included “Milton’s Boogie,” “True Blues,” “Hop, Skip and Jump,” “Information Blues,” “Oh Babe”—a heated reading of Louis Prima’s lively jump tune—and “Best Wishes.” Group pianist Camille Howard, known for her boogie style, added vocals to several sides such as the 1947 hit “Thrill Me” while simultaneously developing her own Specialty career.
After building a substantial catalog that helped establish Specialty, Milton later recorded for Dootone, King (where he cut the instrumental “Succotash”), and Warwick (which yielded a modest 1961 R&B entry, “Red Light”), each move bringing reduced commercial returns. Although he helped shape postwar R&B, rock & roll eventually cast him as a relic of an earlier era.
He continued performing, however, and delivered an energetic set at the 1970 Monterey Jazz Festival with Johnny Otis’s all-star group. The same swinging feel likely carried him to the end.
Albums
Milton's Boogie
2009
Big Fat Mama
2009
Specialty Profiles: Roy Milton
2006
Roy Milton Vol. 3: Blowin' With Roy
1994
Groovy Blues, Vol. 2
1992
Roy Milton And His Solid Senders
1978
Red Light / So Tired
1961
Early in the Morning
1960
R. M. Blues / Best Wishes
1960
Singles
