Artist

Shamir

Genre: Alt / Indie ,Alternative Singer/Songwriter ,Lo-Fi ,Alternative Dance ,Left-Field Pop ,Grunge Revival ,Alternative Rap
Origin: U.S.A
Active: 2014 - Present
Listen on Coda
An artist of wide-ranging tastes, Shamir merges explorations of lo-fi indie rock, country, and sharp electro-pop through introspective lyrics and a distinctive countertenor delivery. Critical praise greeted his arrival via the 2014 Northtown EP and the 2015 album Ratchet, where the fusion of ’90s house, pop, and R&B stood out. Yet he soon sought a path closer to his own instincts, returning on the self-released 2017 album Hope to the unpolished textures and candid writing that marked his earliest efforts. That impulse carried him onward through later releases such as the 2020 album Shamir and 2023’s Homo Anxietatem, projects on which he shaped pop according to his personal vision.

Raised in the Northtown section of Las Vegas, Shamir Bailey absorbed sounds stretching from Billie Holiday to OutKast to Janis Joplin while drawing encouragement from an aunt who wrote songs. At age nine his mother gave him a guitar, which he learned to play left-handed. Alongside Christina Thompson he formed the indie pop duo Anorexia, issuing the 2013 EP Bedroom Songs and appearing at South by Southwest.

During the same period Shamir began composing tracks built around dance rhythms. He forwarded several pieces to producer Nick Sylvester, whose input helped mold them into tracks that pulsed yet remained emotionally direct, prompting comparisons with Grace Jones and the DFA Records catalog. Their initial collaboration, “If It Wasn’t True,” appeared in February 2014 on Sylvester’s God Mode imprint. The Northtown EP followed in June, featuring that track alongside a rendition of Canadian country singer Lindi Ortega’s “Lived and Died Alone.” Shortly afterward Shamir joined the XL roster and issued the breakthrough single “On the Regular,” a brisk house-and-hip-hop blend composed in minutes, that October. Ratchet, his first full-length album, arrived in May 2015, after which he toured extensively with Years & Years and Troye Sivan.

Following his departure from XL, Shamir offered the free album Hope in April 2017, a project that revisited his lo-fi origins. Soon after its appearance Bailey received a bipolar-disorder diagnosis. He returned to Las Vegas to recuperate and captured most of Revelations on a four-track recorder within two weeks; Father/Daughter Records released the album that November. After relocating to Philadelphia, Shamir grew still more productive, joining Rina Sawayama on the RINA EP and contributing to the series Dear White People and Tuca & Bertie. Early 2018 brought a rapid succession of releases: the Room EP in February, the full-length Resolution the following month—an album that extended the stark approach of Hope and Revelations while addressing racism and further social issues—and, in April, a Record Store Day single on which he and Mac DeMarco interpreted songs by Beat Happening.

Activity continued unabated in 2019 with the country-inflected Be the Yee, Here Comes the Haw. Two additional albums appeared in 2020: Cataclysm in March and Shamir in October, the latter incorporating pop alongside echoes of ’90s indie rock. A version of Billie Eilish’s “Ocean Eyes,” a rendering of Sharon Van Etten’s “Dsharpg” for the tenth-anniversary edition of Epic, and a joint effort with Oberhofer surfaced in 2021. The self-released Heterosexuality, containing some of Shamir’s most candid material, followed in February 2022. A deluxe reissue of Hope that added two bonus tracks emerged in early 2023, and that August Shamir presented his eighth album, Homo Anxietatem—Latin for “anxious man”—which bore production from Hoost, Rina Sawayama’s frequent collaborator, and introduced a glossier finish to his introspective alt-pop.