Artist

Lykke Li

Genre: Alt / Indie ,Indie Electronic ,Indie Pop ,Swedish Pop
Origin: U.S.A
Active: 2007 - Present
Listen on Coda
Swedish indie pop musician Lykke Li infused her 2008 debut album Youth Novels with explorations of affection and suffering, reshaping the stylistic traits of 1950s and 1960s girl group pop for modern listeners and achieving her initial major breakthrough. Confessional songwriting paired with frequently understated vocals marked her growth on the rhythm-focused Wounded Rhymes from 2011 and the expansive I Never Learn in 2014. After completing this initial sequence of projects—all crafted alongside Björn Yttling—she pursued fresh territory by embracing late-2010s stylistic currents through mainstream pop collaborators on so sad so sexy, released in 2018. Her fifth full-length effort, Eyeye, arrived in 2022.

Li Lykke Timotej Zachrisson entered the world in Ystad, Sweden, within a household steeped in music—her father performs with Dag Vag—and experienced a varied cultural environment through repeated family stays and journeys across Europe, Africa, and Asia. Several formative months spent in Brooklyn during her teenage years preceded her return to the city for the recording of her first album.

Although she captured early notice from indie listeners in the 2000s via memorable, retro-styled singles, her distinctive approach only fully emerged once she began working with producer Björn Yttling of Peter Bjorn and John, a frequent creative partner. Delivering intimate, understated vocals over an eccentric, bass-centric electro-dance palette, she issued her debut EP Little Bit in 2007 on the newly formed LL Recordings imprint. That same year brought her initial appearance on Swedish MTV, while the clip for “Little Bit” earned a nomination for Best Video at the Swedish Grammy Awards. Worldwide distribution for both the Little Bit EP and the 2008 album Youth Novels soon followed via a deal with Atlantic. The record achieved international reach, boosted by her concert tours, a featured appearance on Swedish producer Kleerup’s first album, and spots on late-night talk shows.

She resurfaced in 2011 with the atmospheric, rhythm-driven second album Wounded Rhymes, which earned widespread critical praise and registered as a commercial success throughout Scandinavia while reaching the upper half of the U.S. Top 40, propelled by the singles “Get Some,” “I Follow Rivers,” and “Youth Knows No Pain.” Extensive touring across Europe and North America occupied the remainder of the year, followed by summer festival dates in 2012 that included Pukkelpop in Belgium and Helsinki’s Flow Festival. In 2013 she added vocals to the lead single “I’m Waiting Here” from David Lynch’s second album The Big Dream. Later that year she reconvened with Yttling and Greg Kurstin, known for work with the Shins, Foster the People, and Lily Allen, to complete her third album I Never Learn, issued in May 2014. This more reflective collection, centered on a difficult breakup, again drew strong reviews and advanced her to a higher position within the Billboard Top 30.

The year 2016 found Lykke Li collaborating with Andrew Wyatt, Pontus Winnberg of Miike Snow, Björn Yttling of Peter Bjorn and John, and Jeff Bhasker in the Swedish-American supergroup Liv, which she characterized as the “lovechild of ABBA and Fleetwood Mac.” The collective unveiled two singles that year and two more in 2017. Her fourth studio album, so sad so sexy, followed in 2018; produced without Yttling for the first time, it drew on trap elements and included guest contributions from Aminé and Rostam Batmanglij alongside production input from Jeff Bhasker, Malay, Skrillex, Emile Haynie, and others. A 2019 EP titled still sad still sexy extended the previous album through multiple remixes and alternate takes.

A tenth-anniversary edition of Wounded Rhymes appeared in 2021, appending “Lost Sessions” reinterpretations of “Youth Knows No Pain,” “I Follow Rivers,” and “Jerome” plus a Tyler, the Creator remix. She launched the promotional cycle for her next album in 2022 with the reflective single “No Hotel” drawn from the fifth LP Eyeye.