Artist

Social Distortion

Genre: Punk ,L.A. Punk ,American Underground ,College Rock ,American Punk ,Alternative Pop/Rock ,Hard Rock
Origin: U.S.A
Active: 1978 - Present
Listen on Coda
Social Distortion, the veteran punk outfit from Los Angeles, secured a degree of mainstream recognition for its gritty, uncompromising sound by weathering repeated lineup changes, the collapse of the local hardcore community that had given rise to the band, and frontman Mike Ness’s battle with heroin addiction. Ness launched the group in 1978 alongside drummer Casey Royer and siblings Frank Agnew on bass and Rikk Agnew on guitar, drawing from the thriving L.A. punk milieu. After the Agnew brothers departed to join the Adolescents, Ness recruited his former schoolmate Dennis Danell to play bass; membership continued to fluctuate in the years that followed. By the time the quartet tracked its first album, 1983’s Mommy’s Little Monster, the lineup had settled around Ness, Danell (now handling guitar), bassist Brent Liles, and drummer Derek O’Brien. Reviewers frequently likened the music to a punk-inflected take on the Rolling Stones, and the track “Another State of Mind” ranked among the rare punk clips granted rotation on MTV in 1984. Four years elapsed before a successor appeared, however, while Ness grappled with addiction and defiant conduct; Liles and O’Brien exited during this period. After achieving sobriety, Ness reassembled the band in 1988 with John Maurer on bass and Chris Reece on drums. That configuration produced the more seasoned Prison Bound, which expanded the group’s roots-rock palette with pronounced country elements. The self-titled 1990 release featured a rendition of Johnny Cash’s “Ring of Fire” and returned Social Distortion to MTV screens through “Ball and Chain.” Somewhere Between Heaven and Hell emerged as the band’s strongest commercial showing to that point, spawning the modest radio success “Bad Luck” while maintaining its established mixture of punk, blues, country, and rockabilly. An extended break followed the album’s release. The group resurfaced in 1996 with White Light, White Heat, White Trash, which achieved modest traction on MTV and modern-rock outlets; former Black Flag and D.O.A. drummer Chuck Biscuits made his recorded debut with the band after Reece’s departure. Live at the Roxy appeared in 1998, and Ness issued the solo projects Cheating at Solitaire and the covers set Under the Influences the next year. On February 29, 2000, Danell succumbed to a brain aneurysm at age thirty-eight. That autumn Jonny Wickersham joined as guitarist and Charlie Quintana replaced the frequently unavailable Biscuits on drums. Following prolonged roadwork, the band entered the studio in 2004 to cut Sex, Love and Rock ’n’ Roll. Another six years passed before Social Distortion recorded again. Ness himself produced the glossy yet forceful 2011 album Hard Times and Nursery Rhymes, which introduced bassist Brent Harding and drummer David Hidalgo Jr.—son of Los Lobos’ David Hidalgo—alongside Wickersham and Ness.