Artist

Descendents

Genre: Punk ,American Punk ,L.A. Punk ,Pop Punk ,American Underground ,Hardcore Punk ,College Rock
Origin: U.S.A
Active: 1979 - 1983,1984 - 1988,1995 - 1997,2002 - 2004,2010 - Present
Listen on Coda
Fueled by the mantra "rejection, food, coffee, girls, fishing and food," the Descendents first coalesced amid the early glow of the Los Angeles punk scene. Blending hardcore's raw fury with a dry, self-mocking humor and a melodic focus that distinguished them from other West Coast acts, they steadily became one of punk's most lasting and cherished groups. Even as their best-known songs embraced youthful foolishness, the band managed to mature while still producing work that satisfied both themselves and longtime listeners well into the twenty-first century. Their initial classic arrived with 1982's Milo Goes to College, followed by the robust 2004 reunion album Cool to Be You and the 2021 release 9th & Walnut, which revisited early, unreleased material.

The group formed in 1979 with vocalist/guitarist Frank Navetta, vocalist/bassist Tony Lombardo, and drummer Bill Stevenson. Their initial sound leaned toward edgy power pop in the style of the Buzzcocks, yielding the debut single "Ride the Wild" before they disappeared from view. Reemerging in 1981 as a quartet fronted by vocalist Milo Auckerman, a figure already popular in hardcore circles, they brought a mix of raw teenage frustration and playful absurdity to the band's character. Despite a demanding touring pace driven by caffeine, they completed the 1981 EP Fat, which highlighted Auckerman's love of fast food on tracks such as "Weinerschnitzel" and "I Like Food" alongside his irritation with parental authority on "My Dad Sucks." The following year saw the release of their debut LP, Milo Goes to College. Although songs like "Bikeage" and "Suburban Home" carried a lighthearted tone, the album title proved literal: Auckerman left to pursue biochemistry studies, and with Stevenson joining Black Flag the Descendents entered a hiatus.

They reconvened in 1985, bringing in SWA alum Ray Cooper on guitar in place of Navetta. After issuing the more pop-oriented I Don't Want to Grow Up, ex-Anti bassist Doug Carrion took over Lombardo's role. A brighter outlook shaped 1986's Enjoy!, reflected in a cover of the Beach Boys' "Wendy," yet after 1987's All the band split once more. Stevenson soon launched a new project also called All, leaving only the live albums Liveage! (1987) and Hallraker (1989) as Descendents output for several years. Unexpectedly, Auckerman and Stevenson revived the Descendents in 1996 alongside All bassist Karl Alvarez and guitarist Stephen Egerton. Besides touring, they recorded the new album Everything Sucks. Afterward Auckerman returned to laboratory work until 2004, when the band resurfaced with two Fat Wreck releases: the February EP 'Merican and the full-length Cool to Be You one month later.

Over the next decade activity remained limited aside from notable milestones. Founding guitarist Frank Navetta died suddenly in 2008. A short reunion for live shows occurred in 2010, though it proved temporary. In 2013 directors Matt Riggle and Deedle LaCour released the documentary Filmage: The Story of Descendents/ALL, which screened at major festivals before appearing on DVD, Blu-ray, and various streaming platforms. The Descendents returned in 2016 with Hypercaffium Spazzinate, their first new studio album in twelve years. That year Auckerman lost his chemistry position and committed to music full time. As touring increased, the band issued the April 2017 track "Who We Are," addressing the racial and political divisions following President Donald Trump's election. Two further politically charged songs, "On You" and "Hindsight 2020," appeared during the 2020 presidential campaign. That same year they began revisiting 2002 recordings made with Bill Stevenson, Frank Navetta, and Tony Lombardo that captured fifteen songs written in 1980 but never previously released. After Auckerman added fresh vocal tracks, Epitaph Records issued these sessions in July 2021 as the LP 9th & Walnut, titled after the address of their original rehearsal space.