Artist

Bouncing Souls

Genre: Punk ,Pop Punk ,Punk Revival
Origin: U.S.A
Active: 1989 - Present
Listen on Coda
The Bouncing Souls forged an enduring path through anthemic, chant-driven punk in the East Coast tradition, relying on streamlined yet memorable melodies, fervent singing, robust guitar work, and beats equally suited to slamming or bouncing as the energy dictated. The quartet surfaced toward the close of the 1980s and cultivated a devoted audience via relentless roadwork and an intimate connection with listeners. Early recordings straddled hardcore and a catchier pogo-punk approach lightly seasoned with ska. When the self-titled third album appeared in 1997, the group had sharpened its attack, increased its velocity, and added weight to the instrumental layers. Mainstream traction followed in the 2000s and 2010s as Billboard-charting releases such as Anchors Aweigh (2003), Comet (2012), and Simplicity (2016) repeatedly supplied the buoyant punk their supporters anticipated. In 2023 the veteran act delivered its eleventh studio album, Ten Stories High.

The Bouncing Souls formed in 1987 in Basking Ridge, New Jersey, when high-school classmates Greg Attonito (lead vocals), Pete Steinkopf (guitar), Bryan Kienlen (bass), and Shal Khichi (drums) decided to pool their efforts after earlier stints in local groups. Upon graduation they relocated together to New Brunswick, New Jersey, a college town more receptive to punk than their previous surroundings. Adopting the name the Bouncing Souls—a nod to the “Bouncing Soles” slogan on Doctor Marten boots—they settled into a punk residence, rehearsed steadily, and performed wherever parties, basements, or bars would accommodate them. A four-song demo circulated on cassette in 1989, followed in 1991 by the debut 7" Ugly Bill on Complex Records. In 1993 the band established Chunksaah Records and issued the seven-song CD The Green Ball Crew EP, later re-pressed as a green-vinyl 12" in 2013. Chunksaah next released the debut full-length The Good, the Bad, and the Argyle in 1994, incorporating several tracks already familiar from prior EPs.

Extensive touring promoted that first LP, and after Maniacal Laughter surfaced in 1996 the Bouncing Souls secured support slots with Youth Brigade that expanded their reach nationwide. Epitaph Records staff took notice of both the music and the band’s diligence, resulting in a 1997 contract. The Epitaph debut arrived before year’s end as the self-titled third album, though the members would later describe it as a hurried effort containing unfinished material. Stronger results emerged on 1999’s Hopeless Romantic, which turned toward more personal lyricism while retaining the group’s high-energy punk style. That record marked the final release by the original lineup; drummer Shal Khichi departed in 2000 and Michael McDermott—previously of Murphy’s Law, Skinnerbox, and Mephiskapheles—assumed the drum chair.

The Souls returned in 2001 with How I Spent My Summer Vacation, a fan favorite featuring “True Believers,” “Gone,” and “Manthem.” Following that album’s success and a major tour alongside Hot Water Music, the band issued the 2002 retrospective The Bad the Worse and the Out of Print. Also in 2002, BYO Records paired the Bouncing Souls with Anti-Flag for a split album containing new originals, covers, and mutual reinterpretations. Epitaph welcomed the group back for 2003’s Anchors Aweigh; the documentary DVD Do You Remember? 15 Years with the Bouncing Souls appeared the same year. From April through November 2004 the band played across the United States, the United Kingdom, and Russia, capturing shows that yielded the two-disc Live set in 2005. On June 6, 2006—deliberately noted as 6/6/06—the Bouncing Souls released The Gold Record, which they playfully dubbed “the release of the beast.” Most of that summer was spent on the Vans Warped Tour, with return appearances in 2008 and 2009. Marking the twentieth anniversary of their first release, the band issued four successive four-song EPs throughout 2009; selected tracks were gathered as Ghosts on the Boardwalk.

Side One Dummy Records enlisted the Souls for a 2011 live EP in the Complete Control Sessions series, highlighted by their cover of the Misfits’ “Hybrid Moments.” Departing Epitaph, the band issued 2012’s Comet via Rise Records in conjunction with Chunksaah; it proved to be Michael McDermott’s final album with the group before his exit in 2013. George Rebelo, formerly of Against Me! and Hot Water Music, made his debut behind the kit later that year at a private fan event. The second Rise/Chunksaah album, Simplicity, followed in 2016. For the thirtieth anniversary in 2019 the Souls released the six-song EP Crucial Moments—produced by Will Yip—alongside a special edition that included a book of photographs and memorabilia documenting the band’s history; they also embarked on an anniversary tour spanning the United States, Europe, and the United Kingdom. Volume 2 arrived in 2020, presenting ten reworked catalog songs with new arrangements plus the previously unreleased track “World on Fire.” In 2023 the Will Yip-produced Ten Stories High appeared, a characteristically forceful and melodic collection drawn directly from stories shared by fans.