Dead Kennedys

Combining radical political themes with the raw aggression of hardcore punk, the Dead Kennedys established themselves as one of the genre’s most influential acts. Their notoriety frequently stemmed more from outspoken views than from the music itself, yet this emphasis formed a core element of their lasting effect. Drawing greater impetus from the Sex Pistols’ confrontational stance and British punk’s overall urgency than from the more experimental New York scene, the group, guided by vocalist Jello Biafra, came to represent the most overtly political—and, in the estimation of many observers including Christian groups and conservative lawmakers—the most threatening hardcore outfit of its era. By the middle of the 1980s their growing infamy led to an obscenity prosecution tied to a poster included with the 1985 album Frankenchrist, and the resulting trial hastened their dissolution even as they bequeathed an influence that would shape numerous subsequent punk bands.

The Dead Kennedys came together in San Francisco in 1978 after Biafra and bassist Klaus Flouride answered a magazine advertisement placed by guitarist East Bay Ray. Drummer Ted, whose real name was Bruce Slesinger, joined shortly thereafter. For their first two years the band performed mostly in the local area, with only occasional appearances beyond the Bay Area. Within twelve months they issued their debut independent single, “California Über Alles,” a pointed critique of then-governor Jerry Brown, which was soon followed by the second single “Holiday in Cambodia.” In 1979 Biafra campaigned for mayor of San Francisco and placed fourth. By then the group had already gained substantial underground recognition on both sides of the Atlantic. Their first full-length release, Fresh Fruit for Rotting Vegetables, appeared on I.R.S. Records in 1980. After its release Ted departed and was succeeded by drummer Darren H. Peligro, also known as D.H. Peligro.

In 1981 the Dead Kennedys established their own imprint, Alternative Tentacles, whose inaugural release was the EP In God We Trust. That same year the single “Too Drunk to Fuck” reached the lower reaches of the British pop Top 40 even though it received no airplay. Their second album, Plastic Surgery Disasters, followed in 1982. Afterward the band entered a hiatus during which individual members, especially Flouride, pursued various side projects. Throughout this interval Alternative Tentacles strengthened its position as a significant presence in the American independent scene.

The Dead Kennedys resurfaced in 1985 with Frankenchrist, the album that brought them their widest notoriety. Packaged with the record was Swiss artist H.R. Giger’s Landscape #XX, an explicit illustration depicting penises and anuses. Roughly a year after the album’s appearance the band and Alternative Tentacles faced prosecution under updated California anti-obscenity statutes for allegedly distributing material harmful to minors. The ensuing two-year legal struggle saw Biafra emerge as a prominent defender of free expression and a vocal critic of the PMRC. In summer 1987 the case concluded with a hung jury and was dismissed.

Although the Dead Kennedys prevailed in court, the group did not continue much longer. Shortly before the charges were filed they had issued Bedtime for Democracy in 1986, which proved to be their final studio album. Once the litigation ended the band split, issuing the posthumous compilation Give Me Convenience or Give Me Death in 1987. Biafra began a solo career that encompassed both musical and spoken-word releases over the following decades. Flouride resumed his own solo work, issuing two albums in the late 1980s and early 1990s. The DVD DMPO’s on Broadway, documenting the group’s June 1984 performance at the closing of San Francisco’s avant-garde theater and nightclub, appeared in May 2000.

In 1997 an Alternative Tentacles employee determined that Biafra’s former bandmates had been underpaid royalties totaling $76,000 over the preceding decade. After learning of the shortfall the musicians attempted to negotiate with Biafra; when talks failed they filed suit against the label. A jury found Alternative Tentacles guilty of fraudulent conduct, resulting in the band’s recorded catalog and publishing rights being placed under equal shared ownership among the four members. East Bay Ray, Flouride, and Peligro, voting together, arranged a new distribution agreement with Manifesto Records. Manifesto subsequently issued two archival live albums: 2001’s Mutiny on the Bay, drawn from four San Francisco performances recorded between 1982 and 1986, and 2004’s Live at the Deaf Club 1979, captured at the city’s Deaf Club venue. In 2001 Ray, Flouride, and Peligro resumed touring as the Dead Kennedys; Biafra declined to participate, and former child actor Brandon Cruz, previously of Dr. Know, joined as vocalist. Cruz remained until 2003, when Jeff Penalty replaced him; Penalty in turn gave way in 2008 to Ron “Skip” Greer, ex-member of the Wynona Riders.

Manifesto continued mining the catalog, releasing the 2007 best-of collection Milking the Sacred Cow and the 1978 rehearsal recording Iguana Studios Rehearsal Tape: San Francisco 1978. The 2019 box set DK 40 presented three previously unreleased concerts from Amsterdam and Munich in 1982 and San Francisco in 1985. By that point touring had diminished because Flouride and Peligro were managing health issues and occasionally employed substitutes for live dates. September 2022 saw a new edition of Fresh Fruit for Rotting Vegetables featuring a fresh mix by Chris Lord-Alge. D.H. Peligro died at his Los Angeles home on October 28, 2022, at age 63 from head trauma sustained in an accidental fall.