Biography
Renowned as a vocalist and bassist through affiliations with the Buggles, Yes, and Art of Noise, Trevor Horn has built equal renown for his extensive behind-the-scenes production career. Emerging from session and sideman roles, he achieved breakthrough visibility with the Buggles via their 1979 single "Video Killed the Radio Star" on the album The Age of Plastic, now regarded as a defining example of new wave and electronic synth pop. That exposure directly facilitated his appointment as lead singer for Yes, where he performed on the 1980 album Drama while sustaining production ties with the group across the ensuing decade. Simultaneously he assembled the forward-looking electronic collective Art of Noise, which issued several innovative albums foregrounding synthesizers and refined electronic techniques. Establishing ZTT Records enabled him to shape key recordings for ABC, Grace Jones, Frankie Goes to Hollywood, Seal, Belle and Sebastian, and additional artists. Industry recognition followed through Brit Awards for Best British Producer in 1983, 1985, and 1992, a 1995 Grammy Award attached to Seal's "Kiss from a Rose," and the 2010 Ivor Novello Award for Outstanding Contribution to British Music. Performance activity persisted via the supergroup Producers, later known as the Trevor Horn Band, alongside a 2017 anime soundtrack and the cover projects Reimagines the Eighties in 2019 and Echoes: Ancient & Modern in 2023.
Born in Hetton-le-Hole, England, in 1949, Horn adopted bass under the influence of his father, a double-bass player in the local orchestra. After local band experience he secured his initial professional engagement in the backing band for Tina Charles, where he encountered keyboardist Geoff Downes. Together with Downes and Thomas Dolby they assembled Camera Club in 1979 before parting from Dolby to establish the Buggles. Their 1979 single "Video Killed the Radio Star" reached number one in the U.K. and entered the U.S. Top 40, later appearing on the 1980 debut album The Age of Plastic, a futuristic concept work exploring societal attitudes toward technology. A follow-up album, Adventures in Modern Recording, appeared in 1981.
In 1978 Horn and Downes had already produced Yes' ninth studio album Tormato; they remained with the band until its 1981 dissolution, after which Downes joined Asia while Horn concentrated on production. He returned to Yes for the 1983 comeback album 90125 and that same year launched ZTT, which housed his newly formed synth project Art of Noise; with his wife Jill Sinclair he also acquired and rebranded Basing Street Studios as SARM West. Landmark productions from this era encompassed ABC's The Lexicon of Love (including "Poison Arrow"), Frankie Goes to Hollywood's Welcome to the Pleasuredome (featuring "Relax"), Grace Jones' Slave to the Rhythm, Pet Shop Boys' "It's Alright," and Rod Stewart's "Downtown Train." The Brit Awards cited earlier reflected this period's impact. Throughout the 1990s he oversaw Seal's self-titled debut, Mike Oldfield's Tubular Bells II, and further sessions with Marc Almond, Rod Stewart, Tori Amos, Cher, and Shane McGowan & Sinead O'Connor. In 1995 he shared a Grammy with Seal for "Kiss from a Rose," drawn from the Batman Forever soundtrack.
The 2000s yielded further notable work on t.A.T.u.'s "All the Things She Said" and Leann Rimes' "Can't Fight the Moonlight," as well as Belle & Sebastian's Dear Catastrophe Waitress. Mid-decade he formed the Producers, a collective including Lol Crème, Steve Lipson, and Ash Soan, subsequently rebranded the Trevor Horn Band. He produced Yes once more on 2010's Fly from Here, reuniting with Downes, who was then leading the group, and received the Ivor Novello Award that year. His first release under his own name arrived in 2017 with the soundtrack to Stan Lee's anime series The Reflection: Wave One. The following year he began Trevor Horn Reimagines the Eighties, issued in 2019 and featuring reinterpretations of 1980s material with guests Robbie Williams, All Saints, Simple Minds, and Gabrielle Aplin. Between 2018 and 2020 he performed as bassist with the Dire Straits Legacy band and published the memoir Adventures in Modern Recording: From ABC to ZTT in 2022. December 2023 brought the covers album Echoes: Ancient and Modern, again featuring guest vocalists such as Tori Amos, Iggy Pop, Rick Astley, and Seal, with whom he also toured that year.
Born in Hetton-le-Hole, England, in 1949, Horn adopted bass under the influence of his father, a double-bass player in the local orchestra. After local band experience he secured his initial professional engagement in the backing band for Tina Charles, where he encountered keyboardist Geoff Downes. Together with Downes and Thomas Dolby they assembled Camera Club in 1979 before parting from Dolby to establish the Buggles. Their 1979 single "Video Killed the Radio Star" reached number one in the U.K. and entered the U.S. Top 40, later appearing on the 1980 debut album The Age of Plastic, a futuristic concept work exploring societal attitudes toward technology. A follow-up album, Adventures in Modern Recording, appeared in 1981.
In 1978 Horn and Downes had already produced Yes' ninth studio album Tormato; they remained with the band until its 1981 dissolution, after which Downes joined Asia while Horn concentrated on production. He returned to Yes for the 1983 comeback album 90125 and that same year launched ZTT, which housed his newly formed synth project Art of Noise; with his wife Jill Sinclair he also acquired and rebranded Basing Street Studios as SARM West. Landmark productions from this era encompassed ABC's The Lexicon of Love (including "Poison Arrow"), Frankie Goes to Hollywood's Welcome to the Pleasuredome (featuring "Relax"), Grace Jones' Slave to the Rhythm, Pet Shop Boys' "It's Alright," and Rod Stewart's "Downtown Train." The Brit Awards cited earlier reflected this period's impact. Throughout the 1990s he oversaw Seal's self-titled debut, Mike Oldfield's Tubular Bells II, and further sessions with Marc Almond, Rod Stewart, Tori Amos, Cher, and Shane McGowan & Sinead O'Connor. In 1995 he shared a Grammy with Seal for "Kiss from a Rose," drawn from the Batman Forever soundtrack.
The 2000s yielded further notable work on t.A.T.u.'s "All the Things She Said" and Leann Rimes' "Can't Fight the Moonlight," as well as Belle & Sebastian's Dear Catastrophe Waitress. Mid-decade he formed the Producers, a collective including Lol Crème, Steve Lipson, and Ash Soan, subsequently rebranded the Trevor Horn Band. He produced Yes once more on 2010's Fly from Here, reuniting with Downes, who was then leading the group, and received the Ivor Novello Award that year. His first release under his own name arrived in 2017 with the soundtrack to Stan Lee's anime series The Reflection: Wave One. The following year he began Trevor Horn Reimagines the Eighties, issued in 2019 and featuring reinterpretations of 1980s material with guests Robbie Williams, All Saints, Simple Minds, and Gabrielle Aplin. Between 2018 and 2020 he performed as bassist with the Dire Straits Legacy band and published the memoir Adventures in Modern Recording: From ABC to ZTT in 2022. December 2023 brought the covers album Echoes: Ancient and Modern, again featuring guest vocalists such as Tori Amos, Iggy Pop, Rick Astley, and Seal, with whom he also toured that year.
Albums

ECHOES – ANCIENT & MODERN
2024

Trevor Horn Reimagines The Eighties
2019

Trevor Horn Reimagines The Eighties (Instrumentals)
2019

The Reflection
2018
Singles

Owner Of A Lonely Heart
2023

Personal Jesus
2023

Love Is A Battlefield
2023

Steppin' Out
2023

Slave To The Rhythm
2023

Dancing in the Dark (feat. The Sarm Orchestra)
2019

Take On Me (feat. The Sarm Orchestra)
2019

Dancing in the Dark
2019

Ashes to Ashes (Edit)
2019

The Power of Love (Edit)
2018

Everybody Wants to Rule the World (Edit)
2018

Sky Show
2018

Firestarter
2015
