Biography
Andrea Rost, a Hungarian lyric soprano, has earned recognition for her intense yet exacting vocal delivery and commanding performances on stage. Her recordings span multiple operas, a selection of Hungarian art songs, and spoken-word adaptations.
Born in 1962 in Budapest to a family with no musical background, she displayed an early affinity for singing and took part in her school choir. At sixteen she attended a production of Donizetti’s Don Pasquale at the Budapest Opera House, an experience that revealed to her the fusion of music, narrative, and design; she later recalled thinking, “Oh my God, I have to do this.” The encounter prompted her to enter the Liszt Academy of Music, where Zsolt Bende trained her in a firm bel canto method that he has continued to refine as both mentor and confidant. A subsequent Budapest Opera scholarship allowed her to continue studies at the Budapest Academy. While completing her final year there in 1987, she made her stage debut as Juliette in Gounod’s Roméo et Juliette under the company’s auspices. Two years afterward she captured first prize at the Mirjam Helin International Singing Competition.
Between 1991 and 1996 she held a soloist position at the Vienna State Opera. Her profile rose sharply in 1994 when Riccardo Muti engaged her to sing Gilda in Verdi’s Rigoletto at the Teatro alla Scala; the performance was captured for Sony Classical and resulted in an extended exclusive recording agreement. After leaving Vienna she introduced herself to New York audiences at the Metropolitan Opera in 1996, appearing in Donizetti’s L’elisir d’amore. The following year she issued her debut Sony recital, Le Delizie Dell’amor, a program of operatic arias, and took part in Sir Charles Mackerras’s period-instrument account of Donizetti’s Lucia di Lammermoor.
Throughout the 2000s she appeared with leading American companies such as the Chicago Lyric Opera, Washington National Opera, Metropolitan Opera, and Los Angeles Opera, while also singing in Madrid, Budapest, and Tokyo. In 2008 she released the album Hungarian Songs. Between 2013 and 2014 she recorded the spoken-word projects Tales of the Opera and Andersen’s The Little Mermaid. That same year she made her São Paulo debut in a staging of Mozart’s Don Giovanni. She remains one of the most sought-after lyric sopranos of her era.
Born in 1962 in Budapest to a family with no musical background, she displayed an early affinity for singing and took part in her school choir. At sixteen she attended a production of Donizetti’s Don Pasquale at the Budapest Opera House, an experience that revealed to her the fusion of music, narrative, and design; she later recalled thinking, “Oh my God, I have to do this.” The encounter prompted her to enter the Liszt Academy of Music, where Zsolt Bende trained her in a firm bel canto method that he has continued to refine as both mentor and confidant. A subsequent Budapest Opera scholarship allowed her to continue studies at the Budapest Academy. While completing her final year there in 1987, she made her stage debut as Juliette in Gounod’s Roméo et Juliette under the company’s auspices. Two years afterward she captured first prize at the Mirjam Helin International Singing Competition.
Between 1991 and 1996 she held a soloist position at the Vienna State Opera. Her profile rose sharply in 1994 when Riccardo Muti engaged her to sing Gilda in Verdi’s Rigoletto at the Teatro alla Scala; the performance was captured for Sony Classical and resulted in an extended exclusive recording agreement. After leaving Vienna she introduced herself to New York audiences at the Metropolitan Opera in 1996, appearing in Donizetti’s L’elisir d’amore. The following year she issued her debut Sony recital, Le Delizie Dell’amor, a program of operatic arias, and took part in Sir Charles Mackerras’s period-instrument account of Donizetti’s Lucia di Lammermoor.
Throughout the 2000s she appeared with leading American companies such as the Chicago Lyric Opera, Washington National Opera, Metropolitan Opera, and Los Angeles Opera, while also singing in Madrid, Budapest, and Tokyo. In 2008 she released the album Hungarian Songs. Between 2013 and 2014 she recorded the spoken-word projects Tales of the Opera and Andersen’s The Little Mermaid. That same year she made her São Paulo debut in a staging of Mozart’s Don Giovanni. She remains one of the most sought-after lyric sopranos of her era.
Albums
Live
