Artist

Dominguinhos

Genre: International ,Brazilian ,Afro-Brazilian
Origin: U.S.A
Active: 195? - 2013
Listen on Coda
Throughout his career Dominguinhos distinguished himself both as an independent performer and as an accompanist alongside established figures including Luís Gonzaga, Caetano Veloso, Gilberto Gil, Gal Costa, and Maria Bethânia. His songwriting yielded numerous successes interpreted by Maria Bethânia, Gilberto Gil, Chico Buarque, Elba Ramalho, and Fagner, while his film scores earned him four Prêmio Sharp Awards.

Already at the age of six he performed on his eight-button accordion with his siblings at local fairs, on the streets of Garanhuns in Pernambuco, and throughout nearby towns. By seven he had attracted the attention of Luís Gonzaga. At thirteen he relocated with his family to Rio, where Gonzaga supplied him with a 120-button accordion. He sustained himself through steady musical work across various venues in the city. His first appearance on Rádio Nacional in 1964 marked the start of a recording career that produced thirty-three solo albums by 2001. In 1972, while supporting Luís Gonzaga during the theatrical production Luís Gonzaga Volta Pra Curtir, he gained wider recognition among urban middle-class audiences. The following year Gal Costa asked him to join her at MIDEM in Cannes, France. After returning, he became a frequent presence on stage and in studios with Gilberto Gil, Caetano Veloso, Maria Bethânia, and Toquinho.

As a composer Dominguinhos achieved particular acclaim with pieces such as “Lamento Sertanejo,” also recorded by Maria Bethânia, “Abri a Porta,” both written with Gilberto Gil, “Tantas Palavras,” created with Chico Buarque and featured on the latter’s album Chico Buarque, “De Volta para o Aconchego,” co-authored with Nando Cordel and performed by Elba Ramalho, “Isso Aqui Tá Bom Demais,” likewise written with Nando Cordel and released as a duet with Chico Buarque, and “Quem Me Levará Sou Eu,” composed with Manduka and later interpreted by Fagner. Several of these compositions appeared in motion-picture soundtracks; in 1997 he supplied the complete score for Aníbal Massaíni Neto’s film O Cangaceiro.