Artist

Kate Walsh

Genre: Pop ,Contemporary Singer/Songwriter ,Adult Alternative Pop / Rock
Origin: U.S.A
Listen on Coda
British singer/songwriter Kate Walsh rose to prominence among the U.K.'s most acclaimed new talents when her sophomore album Tim's House became the first release by an unsigned artist to reach the summit of the digital charts. She entered the world in 1983 in the tranquil fishing village of Burnham-on-Crouch in Essex, where an eclectic mix of sounds filled her childhood—her father's Pink Floyd collection alongside her brother's electronic selections. As a child she studied piano and cultivated an ear for the music of Debussy and Ravel, yet only after taking up the guitar during her teenage years did she begin composing original material. Drawing influence from Joni Mitchell, Tori Amos, and Talk Talk, she crafted introspective narratives of love and heartbreak that conveyed a maturity exceeding her age; at 18, while attending the London College of Music and Media, she encountered an A&R contact from the independent Kitchenware imprint who recognized her potential.

Kitchenware issued her debut album Clocktower Park in 2003. The project received scant attention and prompted her swift departure from the roster. Walsh pressed forward undeterred, writing and gigging steadily until 2006, when she partnered with producer and multi-instrumentalist Tim Bidwell to shape her next record. Working within tight financial constraints inside Bidwell's domestic studio, the pair captured the intimate, unadorned aesthetic that suited her material perfectly. Issued on her self-founded Blueberry Pie label, Tim's House benefited from glowing critical notices and internet circulation, ultimately claiming the top spot on the U.K. digital download charts for a fortnight. The breakthrough prompted a contract with Mercury Records in Britain, which re-released the album, while the independent Defend Music handled its American distribution.

In 2009 Walsh delivered her third full-length effort, Light and Dark. Composed at the piano instead of guitar, the songs featured richer instrumental palettes while preserving an emphasis on her vocal delivery. Twelve months later she offered Peppermint Radio, a collection of reinterpretations that included tracks originally recorded by Erasure, EMF, and the Cure. Her fourth studio album, the stark and affecting Real Thing, surfaced in November 2011.