Artist

Ray Martin

Genre: Easy Listening ,Space Age Pop ,Soundtracks ,Orchestral ,Spy Music ,Vocal Music
Origin: U.S.A
Active: 1951 - 1952,1940 - 1980
Listen on Coda
Ray Martin established a lasting presence in mid-century British popular music by leading his orchestra throughout the 1950s. Frequent radio and television engagements maintained his visibility, while his role at EMI Records positioned him as a key producer within the company. The multiple pseudonyms he adopted have obscured the precise trajectory of his professional activities, rendering his extensive output more difficult to trace. Nevertheless, the original pieces he composed secured his reputation, with works such as “Marching Strings” becoming fixtures for numerous civic and municipal bands and orchestras after their initial release.

Born in Vienna, Austria, on October 11, 1918, Martin attended the Vienna Academy of Music for five years before relocating to Britain in 1938. He performed with various ensembles until the outbreak of World War II prompted him to enlist in the Intelligence Corps; his musical skills subsequently led to his appointment as director of a radio dance band serving the British Forces. He also arranged variety programs for troops stationed in Germany. Following demobilization he returned to England and resumed composing, securing his first radio series in 1947. That exposure brought wider public recognition, and he issued a single featuring vocalist Vera Lynn. He directed comedian Danny Kaye’s U.K. tour and established the BBC Northern Variety Orchestra, remaining its conductor until 1951. Recording sessions began in 1949 across multiple major labels, yielding a catalog of orchestral repertoire.

After stepping down from his orchestra, Martin became joint A&R manager at Columbia Records, an appointment that opened opportunities in television. He composed scores for several programs while retaining his A&R responsibilities. Subsequently he departed England and joined RCA Records in the United States. Advancing age gradually reduced his activity, limiting his returns to Britain to occasional visits. During the 1960s he produced six albums in Paris for Polydor, yet declining health necessitated his return to Britain in 1972. He later settled in South Africa by 1978, continuing to battle cancer while developing a broadcasting career there. On February 7, 1988, at the age of 69, he succumbed to the illness. His impact on British music remained substantial, and although later output was limited, his contributions endure.