Artist

RJD2

Genre: Rap ,Underground Rap ,Left-Field Rap ,Alternative Rap ,Indie Electronic ,Neo-Soul
Origin: U.S.A
Active: 1993 - Present
Listen on Coda
RJD2 emerges as a producer whose command across countless styles renders classification nearly impossible, with his catalog offering compelling evidence against rigid genre boundaries. His lauded debut LP from 2002, Dead Ringer, showcased equal devotion to sweeping cinematic moods and jazz excursions alongside firm roots in underground hip-hop. Subsequent releases charted unpredictable paths, weaving 1970s pop and rock threads through the 2004 album Since We Last Spoke, abandoning samples entirely for the alternative-pop explorations of 2007’s The Third Hand, and incorporating his own live drumming on 2010’s The Colossus. Throughout, he supplied production and remix work for an eclectic roster including Massive Attack, El-P, Elbow, and Polyphonic Spree. During the 2010s and afterward, early passions for R&B and funk resurfaced as creative wellsprings; the neo-soul directions of 2013’s More Is Than Isn't and the retro-tinged palettes of 2020’s The Fun Ones and 2024’s Visions Out of Limelight yielded a modestly tighter yet persistently varied sensibility from an artist who ultimately defies external definitions.

Born Ramble John Krohn on May 27, 1976, in Eugene, Oregon, he relocated with his family to Columbus, Ohio, shortly thereafter and spent his formative years there. Early listening favored Led Zeppelin and Jimi Hendrix before soul and R&B captured his attention. During high school he enrolled at a music school that imparted music theory, yet the instruction struck him as overly confining. Discovery of Columbus’s vibrant hip-hop community in the early 1990s, guided by a friend who introduced him to open-mic nights and battles, finally supplied the milieu that suited him.

RJD2 commenced beat-making in 1993 yet lacked funds for professional equipment until Akai’s affordable MPC 2000 appeared in 1997. Intensive practice paid off with victory at the 1997 Ohio Hip-Hop Expo DJ battle. Serving as DJ and producer for the local Megahertz crew, he contributed to the underground favorite “World Premier,” one of two singles MHz placed on Bobbito Garcia’s Fondle ’Em Records. El-P soon took notice, leading to RJD2’s Def Jux affiliation in 2000. That same year he handled Copywrite’s debut single “Holier Than Thou” for Rawkus Records and partnered with Poppa Hop as the Dirty Birds on the Pryor Convictions EP. His first official solo appearance arrived in 2001 on the Def Jux Presents... compilation, where he stood alongside Company Flow, El-P, Cannibal Ox, and Aesop Rock.

While crafting his debut full-length, RJD2 aimed for music equally accessible to rap enthusiasts and fans of instrumental hip-hop. The outcome, Dead Ringer, arrived via Def Jux in July 2002. Boasting guest spots from Blueprint and Copywrite plus sources spanning funk to flamenco, it quickly earned recognition among the year’s strongest underground hip-hop releases. Additional 2002 activity encompassed remixes and productions for Cage, Souls of Mischief, El-P, and Massive Attack. The Horror EP followed in 2003, compiling Dead Ringer B-sides, while further outreach included work for Murs, Nightmares on Wax, Elbow, and Aceyalone; he also formed Soul Position with Blueprint, releasing the well-received 8 Million Stories on Rhymesayers Entertainment.

On his May 2004 follow-up, Since We Last Spoke, RJD2 folded additional 1970s pop, rock, and R&B elements into the mix. The album garnered both praise and modest commercial traction, reaching number 128 on the Billboard 200 and number 94 on the U.K. Albums Chart, while its single “Exotic Talk” climbed to number 93 on the U.K. Singles Chart. Further 2004 releases included In Rare Form: Unreleased Instrumentals and productions for Vast Aire and Hikaru Utada. A comparatively quiet 2005 brought collaborations with Leela James and Cage; in 2006 RJD2 and Blueprint reconvened for Soul Position’s second album, Things Go Better with RJ and Al. He also joined Aceyalone on Magnificent City, which peaked at number 39 on Billboard’s Heatseekers Albums chart and contained “A Beautiful Mine,” later adopted as the theme for AMC’s Mad Men series. Magnificent City Instrumentals surfaced later that year alongside productions for Pigeon John and Cool Calm Pete.

RJD2 shifted to XL Recordings for The Third Hand. His first entirely sample-free album explored atmospheric, dub-inflected pieces alongside Beatlesque pop. Issued in March 2007, it reached number five on the Heatseekers Albums chart and number 190 on the Billboard 200. The Third Hand Instrumentals appeared the same year, accompanied by production for Jack Peñate. In 2009 he established his own imprint, RJ’s Electrical Connections. After reissuing earlier material, he delivered The Colossus in January 2010. The sample-rich collection featured vocal contributions from Kenna, Aaron Livingston, and Phonte Coleman plus rhymes from Illogic and others, attaining number 30 on the Billboard Top R&B/Hip-Hop Albums chart. Later that year he supplied a Yo La Tengo remix and issued Inversions of the Colossus, presenting instrumental renditions of the vocal tracks plus bonus material.

Beyond production for J-Live, much of 2011 was devoted to side ventures. Icebird, his collaboration with Livingston, released its debut The Abandoned Lullaby, while RJD2 issued his first Insane Warrior album, We Are the Doorways. October 2013 brought More Is Than Isn't, reuniting him with Coleman, Livingston, and Blueprint on a neo-soul-inflected project that reached number 39 on the Billboard Top R&B/Hip-Hop Albums chart. 2014 saw work with CunninLynguists and Son Little; the following year he paired with rapper STS for STS x RJD2, extending the R&B and soul emphasis. Coleman, Blueprint, Jordan Brown, and Son Little joined him on 2016’s Dame Fortune, synthesizing strengths accumulated over prior releases. Additional 2016 activity included a remix for Tycho’s Awake Remixes and production on “Gumshoe” from Homeboy Sandman’s Kindness for Weakness. 2018 yielded the second volume of unreleased instrumentals, In Rare Form, Vol. 2, alongside the Insane Warrior album Tendrils.

April 2020’s The Fun Ones drew on vintage funk and reunited RJD2 with longtime associates Aceyalone, Coleman, STS, and Khari Mateen. After releasing an online course on sampling and arranging in 2021, he rejoined STS for 2022’s STS x RJD2: Escape from Sweet Auburn. His eighth album, Visions Out of Limelight, arrived in June 2024 and featured Brown and Jamie Lidell while channeling the compositional spirit of 1970s, 1980s, and 1990s television themes.