Biography
The Choir of King's College London lacks the long history of similar ensembles at Britain's older universities, yet it maintains strong visibility throughout the country, undertakes extensive tours, and maintains an active discography. Its yearly Advent Carols presentations have become a fixture of the London holiday season.
Although choral activity at the college dates to the mid-nineteenth century, when organist William Henry Monk—composer of the hymn “Abide with Me”—established a group, the present ensemble was constituted in 1945. Only five directors have led it since then, one of whom served merely eight months on an interim basis; Joseph Fort has held the post from 2015 onward. Roughly thirty choral scholars, drawn from a range of academic disciplines rather than music alone, make up the roster. Their principal duty remains providing music for chapel services several times each week, among them the three-night Advent Carols sequence held each December. Selected performances are transmitted nationally by the BBC. The singers also appear outside the college, both in liturgical settings at venues such as St. Paul's Cathedral and Westminster Abbey and in standalone concerts, frequently at British festivals and on international trips that have reached the United States, Hong Kong, and Nigeria.
A sizable catalog of recordings documents the choir's work, including multiple Advent Carols releases, the most recent of which appeared on Delphian in 2019. Although the ensemble has worked chiefly with that label, it has also issued discs on Hyperion and Gaudeamus. In 2017 Delphian released its English-language reading of Brahms's German Requiem, Op. 45. While the majority of its projects feature Christian sacred repertoire, the choir ventured beyond that sphere in 2020 with a recording of Holst's A Cloud Messenger, based on Sanskrit texts.
Although choral activity at the college dates to the mid-nineteenth century, when organist William Henry Monk—composer of the hymn “Abide with Me”—established a group, the present ensemble was constituted in 1945. Only five directors have led it since then, one of whom served merely eight months on an interim basis; Joseph Fort has held the post from 2015 onward. Roughly thirty choral scholars, drawn from a range of academic disciplines rather than music alone, make up the roster. Their principal duty remains providing music for chapel services several times each week, among them the three-night Advent Carols sequence held each December. Selected performances are transmitted nationally by the BBC. The singers also appear outside the college, both in liturgical settings at venues such as St. Paul's Cathedral and Westminster Abbey and in standalone concerts, frequently at British festivals and on international trips that have reached the United States, Hong Kong, and Nigeria.
A sizable catalog of recordings documents the choir's work, including multiple Advent Carols releases, the most recent of which appeared on Delphian in 2019. Although the ensemble has worked chiefly with that label, it has also issued discs on Hyperion and Gaudeamus. In 2017 Delphian released its English-language reading of Brahms's German Requiem, Op. 45. While the majority of its projects feature Christian sacred repertoire, the choir ventured beyond that sphere in 2020 with a recording of Holst's A Cloud Messenger, based on Sanskrit texts.
Albums

Edward Nesbit: Nativity
2024

Coleridge-Taylor: Partsongs
2023

Rachmaninoff: Vespers - All-Night Vigil
2023

Edward Nesbit: Sacred Choral Music
2022

Say It to the Still World
2021

Holst: The Cloud Messenger (Chamber Version)
2020

Advent Carols from King's College London
2019

Frank Martin, Kenneth Leighton: Masses for Double Choir
2019

In Memoriam
2016

Desenclos: Messe De Requiem, Salve Regina & Poulenc: Litanies À La Vierge Noire De Rocamadour
2014

Deutsche Motette
2013

Allegri: Masses, Miserere & Motets
2012

Rogier: Missa Ego sum qui sum & Motets
2010

Alonso Lobo: Lamentations; Masses
2002
Singles




