Artist

Barbara Strozzi

Genre: Classical ,Vocal Music ,Choral
Origin: U.S.A
Active: 1644 - 1665
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In the early Baroque period, Italian composer and performer Barbara Strozzi ranked as the most prolific creator of secular music among her peers. Born in Venice in 1619, she was the daughter of Isabella Garzoni, who worked as a servant for the poet Giulio Strozzi—Barbara’s adoptive father and possibly her biological parent. Her musical abilities surfaced clearly by age twelve, leading her father to arrange lessons with Francesco Cavalli, then among Venice’s foremost composers. Under Cavalli’s tutelage she progressed quickly and emerged as an accomplished soprano. Composer Nicolò Fontei, struck by her technical command, dedicated the first volume of his Bizzarrie Poetiche to her. Around 1637 Giulio Strozzi founded the Accademia degli Unisoni and began actively promoting his daughter’s gifts as both singer and composer. The platform furnished by the academy allowed her to mature into a seasoned performer and a familiar presence in Venetian musical life. In the early 1640s she entered an undefined relationship with nobleman Giovanni Paolo Vidman; although the couple never married, she bore him four children. Historians have considered possibilities such as coercion, yet the true circumstances remain unknown. Strozzi first gained recognition as a composer in 1644 upon publishing Il primo libro di madrigali, Op. 1, a set of madrigals on texts by her father. She issued one volume of sacred music, while the other seven publications contain only secular works. Some pieces served as social commentary, drawing notice to inequalities between the sexes. The prevailing disregard for women composers of the period certainly shaped her experience. In addition to her printed output, a still greater number of works survive in manuscript within private collections. She continued composing until at least 1665 and died in 1677, though records of her final years have disappeared.