Biography
Even Jeffrey Tate voiced surprise at the reach of his own achievements, having appeared as a guest conductor across nearly every major concert hall and opera house on the globe. In contrast to the often self-focused, constantly traveling conductors of later generations, he built his career strictly from an unadorned devotion to music, achieved only after confronting profound personal obstacles.
Those obstacles surfaced in childhood with a diagnosis of spina bifida. Lengthy hospital confinements punctuated his early life, yet physicians guided him to walk with the aid of a cane, although he remained seated for performances. Overcoming these limitations, he read medicine at the University of Cambridge and received his medical degree in 1969, a gesture of gratitude toward the discipline that had sustained and improved his existence.
A gifted pianist from an early age, Tate performed regularly during his hospital stays. Still, his wide-ranging pursuits—reading, cooking, and church-crawling among them—postponed his deeper engagement with music until later years. Once that focus sharpened, he joined the Royal Opera House in London as a repetiteur, absorbing the methods of leading conductors, among them Georg Solti. He went on to serve as assistant to Herbert von Karajan in Salzburg, Pierre Boulez in Bayreuth, and James Levine at the Metropolitan Opera. In 1978, at the age of 35, he made his professional conducting debut with a well-received production of Bizet’s Carmen at the Gothenburg Opera. Two years later he created a stir by stepping in for James Levine to lead Berg’s demanding Lulu.
Appointed principal guest conductor of the English Chamber Orchestra in 1985, Tate oversaw a series of admired EMI Classics recordings that presented Haydn and Mozart in versions for modern instruments. After Gary Bertini’s death he advanced from principal conductor to music director of the Theatre San Carlo of Naples in 2005. An earlier staging of Humperdinck’s Die Königskinder at the same house had already earned critical praise and the Franco Abbiati Prize in 2002. His Ring cycles in both Paris and Australia likewise drew exceptional reviews while generating strong ticket sales.
French and British authorities awarded Tate the Chevalier de la Légion d’honneur, the Chevalier des Arts et des Lettres, and the title of Commander of the British Empire. Beginning in 1989 he also chaired the Association for Spina Bifida and Hydrocephalus. Jeffrey Tate died of a heart attack in June 2017 at the age of 74.
Those obstacles surfaced in childhood with a diagnosis of spina bifida. Lengthy hospital confinements punctuated his early life, yet physicians guided him to walk with the aid of a cane, although he remained seated for performances. Overcoming these limitations, he read medicine at the University of Cambridge and received his medical degree in 1969, a gesture of gratitude toward the discipline that had sustained and improved his existence.
A gifted pianist from an early age, Tate performed regularly during his hospital stays. Still, his wide-ranging pursuits—reading, cooking, and church-crawling among them—postponed his deeper engagement with music until later years. Once that focus sharpened, he joined the Royal Opera House in London as a repetiteur, absorbing the methods of leading conductors, among them Georg Solti. He went on to serve as assistant to Herbert von Karajan in Salzburg, Pierre Boulez in Bayreuth, and James Levine at the Metropolitan Opera. In 1978, at the age of 35, he made his professional conducting debut with a well-received production of Bizet’s Carmen at the Gothenburg Opera. Two years later he created a stir by stepping in for James Levine to lead Berg’s demanding Lulu.
Appointed principal guest conductor of the English Chamber Orchestra in 1985, Tate oversaw a series of admired EMI Classics recordings that presented Haydn and Mozart in versions for modern instruments. After Gary Bertini’s death he advanced from principal conductor to music director of the Theatre San Carlo of Naples in 2005. An earlier staging of Humperdinck’s Die Königskinder at the same house had already earned critical praise and the Franco Abbiati Prize in 2002. His Ring cycles in both Paris and Australia likewise drew exceptional reviews while generating strong ticket sales.
French and British authorities awarded Tate the Chevalier de la Légion d’honneur, the Chevalier des Arts et des Lettres, and the title of Commander of the British Empire. Beginning in 1989 he also chaired the Association for Spina Bifida and Hydrocephalus. Jeffrey Tate died of a heart attack in June 2017 at the age of 74.
Albums

Felix Mendelssohn: Concerto in Mi Minore, Op. 64 - Sinfonia No. 3 in La Minore, Op. 56 Scozzese
2019

Mozart: The Complete Symphonies
2013

Liebermann: La Forêt
2010

Britten: Serenade, Nocturne & Les Illuminations
2006

Mozart: Piano Concertos
2006

Mozart: Horn Concertos, Nos. 1 - 4
2005

Mso Live - Mendelssohn / Elgar
2005

Elgar:Symphonies 1 & 2, etc
2003

Various: Daydreams - Music for Reflective Moments
2000

Renée Fleming - The Beautiful Voice
1998

Mendelssohn: A Midsummer Night's Dream
1997

Canteloube: Chants d'Auvergne/Villa-Lobos: Bachianas Brasileiras No.5
1995

Mozart & Strauss, R: Horn Concertos
1993

Mozart: Piano Concerto No. 17; Quintet For Piano & Wind
1992

Offenbach: Les Contes d'Hoffmann
1992

Mozart: Piano Concertos Nos. 8 & 9
1992

Mozart: Piano Concertos Nos.8 & 9
1992

Mozart: Symphony No. 41 in C Major, K. 551 "Jupiter"
1991

Mozart: Symphony No. 36 in C Major, K. 425 "Linz"
1991

Mozart: Symphony No. 31 in D Major, K. 297 "Paris"
1991

Mozart: Piano Concertos Nos. 5 & 6 etc.
1991

Mozart: Piano Concertos Nos. 15 & 16
1991

Mozart: Piano Concertos Nos. 13 & 14
1991

Mozart: Piano Concertos Nos. 11 & 12
1990

Mozart: Piano Concertos Nos. 18 & 19
1989

Mendelssohn & Bruch: Violin Concertos - Schubert: Rondo in A Major
1988

Mozart: Arias
1988

Strauss, R.: Arabella
1987

Haydn: Symphonies 102 & 104 'London'
1986

Mozart: Clarinet Concerto, K. 622 & Clarinet Quintet, K. 581
1986

Wagner: Wesendonk Lieder - Berlioz: Les nuits d'été
1986

Vivaldi: Motets (Elly Ameling – The Philips Recitals, Vol. 1)
1978
