Biography
Valery Gergiev serves as artistic director and principal conductor of the Mariinsky Theatre in St. Petersburg, where he stands among the leading exponents of Russian opera in the present era. Beyond opera he maintains an active profile in the symphonic repertoire and has held the post of chief conductor with the Munich Philharmonic Orchestra since 2015.
Born in Moscow on May 2, 1953, Gergiev traces his roots to Ossetia. During the 2008 conflict between Russia and Georgia concerning South Ossetia he voiced support for the Russian position; earlier, in 2003, he directed a production of Wagner’s Ring Cycle at the Mariinsky that incorporated numerous Ossetian cultural references. Displaying early musical promise, he committed himself to conducting while still a teenager. At the Leningrad Conservatory he trained under the noted teacher Ilya Musin, and in 1975, while enrolled there, he captured first prize in the All-Union Conductors’ Competition. The following year he added victory at the Herbert von Karajan Conductors’ Competition in Berlin. These successes brought his 1977 appointment as assistant conductor at the Kirov Opera under Yuri Temirkanov, where he drew notice for handling demanding scores such as Prokofiev’s War and Peace.
His symphonic work began in the 1980s when he assumed leadership of the Armenian State Orchestra. In 1988 he succeeded Temirkanov as chief conductor of the Kirov Opera; after the Soviet collapse the historic Mariinsky designations were restored to both the opera company and the theater. As general director of the entire Mariinsky complex Gergiev has also supervised major renovation projects.
His international reputation centers chiefly on his Mariinsky tenure. He has toured the company to numerous nations, among them France, where performances took place at the Théâtre des Champs-Elysées, and the United States, where a production of Mussorgsky’s Boris Godunov appeared at the Metropolitan Opera. In 2009 he established the Mariinsky’s own recording label; its 2019 release of Tchaikovsky’s Symphony No. 6 in B minor, Op. 74 (“Pathétique”) earned a five-star review from Allmusic.com. Additional recordings have appeared on Philips and on the LSO Live imprint of the London Symphony Orchestra, whose chief conductor he became in 2005. Earlier he led the Rotterdam Philharmonic from 1995 to 2008, and since taking the Munich post he has made several symphonic recordings for that orchestra’s in-house label.
A consistent backer of President Vladimir Putin, Gergiev has encountered criticism for certain political statements, including his characterization of the dissident group Pussy Riot as publicity seekers and his endorsement of measures restricting LGBT rights. Activists have disrupted his New York appearances on that account. Upon assuming his Munich duties, however, he declared his backing for the city’s anti-discrimination ordinance.
Born in Moscow on May 2, 1953, Gergiev traces his roots to Ossetia. During the 2008 conflict between Russia and Georgia concerning South Ossetia he voiced support for the Russian position; earlier, in 2003, he directed a production of Wagner’s Ring Cycle at the Mariinsky that incorporated numerous Ossetian cultural references. Displaying early musical promise, he committed himself to conducting while still a teenager. At the Leningrad Conservatory he trained under the noted teacher Ilya Musin, and in 1975, while enrolled there, he captured first prize in the All-Union Conductors’ Competition. The following year he added victory at the Herbert von Karajan Conductors’ Competition in Berlin. These successes brought his 1977 appointment as assistant conductor at the Kirov Opera under Yuri Temirkanov, where he drew notice for handling demanding scores such as Prokofiev’s War and Peace.
His symphonic work began in the 1980s when he assumed leadership of the Armenian State Orchestra. In 1988 he succeeded Temirkanov as chief conductor of the Kirov Opera; after the Soviet collapse the historic Mariinsky designations were restored to both the opera company and the theater. As general director of the entire Mariinsky complex Gergiev has also supervised major renovation projects.
His international reputation centers chiefly on his Mariinsky tenure. He has toured the company to numerous nations, among them France, where performances took place at the Théâtre des Champs-Elysées, and the United States, where a production of Mussorgsky’s Boris Godunov appeared at the Metropolitan Opera. In 2009 he established the Mariinsky’s own recording label; its 2019 release of Tchaikovsky’s Symphony No. 6 in B minor, Op. 74 (“Pathétique”) earned a five-star review from Allmusic.com. Additional recordings have appeared on Philips and on the LSO Live imprint of the London Symphony Orchestra, whose chief conductor he became in 2005. Earlier he led the Rotterdam Philharmonic from 1995 to 2008, and since taking the Munich post he has made several symphonic recordings for that orchestra’s in-house label.
A consistent backer of President Vladimir Putin, Gergiev has encountered criticism for certain political statements, including his characterization of the dissident group Pussy Riot as publicity seekers and his endorsement of measures restricting LGBT rights. Activists have disrupted his New York appearances on that account. Upon assuming his Munich duties, however, he declared his backing for the city’s anti-discrimination ordinance.
Albums

Tchaikovsky: The Nutcracker
2024

Beethoven: Piano Concerto No. 3 in C Minor, Op. 37
2021

Wagner, Berg, Mahler: Orchesterlieder
2021

Beethoven: Violin Concerto in D Major, Op. 61
2020

Bruckner: Symphony No. 5
2020

Bruckner: Symphony No. 7
2020

Bruckner: Symphony No. 4, "Romantic"
2020

Bruckner: Symphony No. 6
2020

Beethoven: Violin Concerto in D Major, Op. 61: II. Larghetto
2020

Mahler: Symphony No. 7 - Gergiev, LSO
2020

Rachmaninov: Piano Concerto No. 3
2020

Bruckner: Symphony No. 1
2020

Mahler: Symphony No. 4
2019

Shostakovich: Symphony No. 4
2018

Bruckner: Symphony No. 3
2018

Shostakovich: Symphony No. 9
2018

R. Strauss: Don Juan & Ein Heldenleben
2017

R. Strauss: Don Juan, Ein Heldenleben
2017

Shostakovich: Symphony No. 15
2017

Mahler Symphony No. 2, "Resurrection"
2016

Shostakovich: Cello Concertos Nos. 1 & 2
2015

Wieniawski: Violin Concerto No. 2 in D Minor, Op. 22 (Digitally Remastered)
2015

Prokofiev: Symphony No. 2 - Scriabin: The Poem of Ecstasy - Reverie
2014

Tchaikovsky: Complete Ballets
2012

Rimsky-Korsakov: 5 Operas
2011

Tchaikovsky: Rococo's Variations - Prokofiev: Sinfonia Concertante
2010

Prokofiev: Operas
2010

Tchaikovsky: Swan Lake
2007

Gubaidulina: St. John Passion
2007

Tchaikovsky: Swan Lake (Mariinsky Version): Highlights
2007

Shostakovich: Symphonies Nos. 5 & 9
2004

Shostakovich: Symphony No.4 in C minor, Op.43
2003

Prokofiev: Scythian Suite; Alexander Nevsky
2003

Tchaikovsky / Miaskovsky: Violin Concertos
2002

Prokofiev: Love for Three Oranges
2001

Prokofiev: Semyon Kotko
2000

Mussorgsky: Boris Godunov
1999

Rimsky-Korsakov: The Legend Of The Invisible City Of Kitezh
1999

Rimsky-Korsakov: The Tsar's Bride
1999

Prokofiev: The Gambler
1999

Rimsky-Korsakov: Kashchey the Immortal
1999

Verdi: La Forza del Destino
1997

Rimsky-Korsakov: The Maid of Pskov
1997

Hérodiade (Highlights): Opéra en quatre actes en sept tableaux
1996

Glinka: Ruslan and Lyudmila
1996

Massenet: Herodiade
1995

Borodin: Prince Igor
1995

Prokofiev: The Fiery Angel
1995

Russian Spectacular
1995

Rimsky-Korsakov: Sadko
1994

Songs and Dances of Death (Dmitri Hvorostovsky – The Philips Recitals, Vol. 5)
1994

White Nights - Romantic Russian Showpieces
1994

Rachmaninov: Symphony No. 2
1994

Prokofiev: War and Peace
1993

Mussorgsky: Khovanshchina
1992

Borodin: Symphonies Nos. 1 & 2
1990
Singles

Berg: Sieben frühe Lieder: 5. Im Zimmer
2021

Wagner: Wesendonck-Lieder: 5. Träume
2021

Wagner: Wesendonck-Lieder: 4. Schmerzen
2021

Stravinsky: Funeral Song, Op. 5
2020

Strauss, Richard: Till Eulenspiegel
2019
Live







