Biography
Raised in Florida, Georgia, and Maryland, indie rock innovator John Vanderslice absorbed an early blend of Led Zeppelin, Creedence Clearwater Revival, the Kinks, and Southern rock that shaped his wide-ranging approach to songcraft. Although required to study piano during childhood, he turned to guitar by eighth grade and launched multiple groups as a teenager. Additional touchstones such as David Bowie, the Beatles, Bob Dylan, King Crimson, XTC, and early Genesis later colored his writing, leading to a five-year stint in the acclaimed experimental pop outfit MK Ultra. That partnership yielded three well-regarded albums and secured support slots on two Sunny Day Real Estate U.S. tours.
In 1997 Vanderslice simultaneously founded Tiny Telephone, an intimate San Francisco studio staffed by seasoned house engineers that soon became a cost-effective haven for the local indie rock scene. The facility also hosted his solo debut, Mass Suicide Occult Figurines, issued in 2000 and widely praised for its precisely assembled, pop-leaning textures. Over the ensuing two years he delivered the Time Travel Is Lonely and Life and Death of an American Fourtracker albums, reinforcing his standing as a verbally astute, inquisitive songwriter and studio craftsman. Exploring narrative-driven concepts, he tracked the intricately layered Cellar Door in 2004 and Pixel Revolt in 2005, then embarked on a string of live dates.
Barsuk Records issued another ambitious project, Emerald City, in July 2007; the album earned acclaim for its pointed political themes and understated fusion of electronics with acoustic guitars. Romanian Names appeared in 2009. Vanderslice next joined forces with Minna Choi and her Magik*Magik Orchestra plus producer John Congleton to cut White Wilderness in three days, releasing the set in early 2011 on Dead Oceans. Dagger Beach followed in 2013 after complete financing through a rapidly oversubscribed Kickstarter campaign; backers also received his song-by-song reinterpretation of David Bowie’s Diamond Dogs as a limited reward.
In 1997 Vanderslice simultaneously founded Tiny Telephone, an intimate San Francisco studio staffed by seasoned house engineers that soon became a cost-effective haven for the local indie rock scene. The facility also hosted his solo debut, Mass Suicide Occult Figurines, issued in 2000 and widely praised for its precisely assembled, pop-leaning textures. Over the ensuing two years he delivered the Time Travel Is Lonely and Life and Death of an American Fourtracker albums, reinforcing his standing as a verbally astute, inquisitive songwriter and studio craftsman. Exploring narrative-driven concepts, he tracked the intricately layered Cellar Door in 2004 and Pixel Revolt in 2005, then embarked on a string of live dates.
Barsuk Records issued another ambitious project, Emerald City, in July 2007; the album earned acclaim for its pointed political themes and understated fusion of electronics with acoustic guitars. Romanian Names appeared in 2009. Vanderslice next joined forces with Minna Choi and her Magik*Magik Orchestra plus producer John Congleton to cut White Wilderness in three days, releasing the set in early 2011 on Dead Oceans. Dagger Beach followed in 2013 after complete financing through a rapidly oversubscribed Kickstarter campaign; backers also received his song-by-song reinterpretation of David Bowie’s Diamond Dogs as a limited reward.
Albums
Dagger Beach
2013
White Wilderness
2011
Romanian Names
2009
Pixel Revolt
2005
Cellar Door
2004
Life And Death Of An American Fourtracker
2002
Time Travel Is Lonely
2001
Mass Suicide Occult Figurines
2000
Singles
