Biography
Lars Demian came into the world in Halmstad, Sweden, during 1957 and launched his recording efforts in the early 1980s with a synth-pop single that failed to connect. Throughout the remainder of that decade he devoted himself to performance theater and composed both music and script for a children’s television program, while also spending time performing alongside Di Leva. A cabaret appearance led Alpha Records to sign him, resulting in the 1990 release of his first album, Pank. Although its lyrics centered on alcohol and a Bohemian existence, and the subject matter itself broke little new ground, the music stood out; critics praised Demian’s accomplished songcraft and his evident debt to Jacques Brel together with pre-war popular traditions.
The next two albums dispensed with the already sparse electric instrumentation, and Favoriter i Dur Och Moll—an acoustic collection of songs by Ulf Lundell, Jules Sylvain, and Joakim Thåström—brought him a Swedish Grammy award. Early-1990s success had placed him among the leading figures on the Swedish singer/songwriter circuit and attracted a broad crossover audience, yet his reluctance to issue the albums the industry anticipated, combined with a growing emphasis on theater, rendered his late-decade appearances infrequent. In 1993 he toured the country with Stefan Sundström and Johan Johansson, then withdrew after Elvis & Jesus & Jag to mount the one-man production Lars Demians Sista Frestelse, which blended standup comedy, theater, and music. The show drew widespread notice when a major newspaper threatened legal action over its satirical content, though only a limited-edition album ever appeared. No further studio recordings emerged during the 1990s, aside from a 1998 concert preserved on bootleg.
The next two albums dispensed with the already sparse electric instrumentation, and Favoriter i Dur Och Moll—an acoustic collection of songs by Ulf Lundell, Jules Sylvain, and Joakim Thåström—brought him a Swedish Grammy award. Early-1990s success had placed him among the leading figures on the Swedish singer/songwriter circuit and attracted a broad crossover audience, yet his reluctance to issue the albums the industry anticipated, combined with a growing emphasis on theater, rendered his late-decade appearances infrequent. In 1993 he toured the country with Stefan Sundström and Johan Johansson, then withdrew after Elvis & Jesus & Jag to mount the one-man production Lars Demians Sista Frestelse, which blended standup comedy, theater, and music. The show drew widespread notice when a major newspaper threatened legal action over its satirical content, though only a limited-edition album ever appeared. No further studio recordings emerged during the 1990s, aside from a 1998 concert preserved on bootleg.
Albums
