Biography
Towa Tei first attracted attention through his role in Deee-Lite, where his skills as producer, remixer, and DJ revealed an inventive mind and singular sonic identity. The trio’s 1990 single “Groove Is in the Heart” showcased the sampling precision and flair for unexpected, playful pop that would define his later solo projects and partnerships. Future Listening!, issued in 1994, foregrounded the bossa nova, jazz, and easy-listening currents already present in Deee-Lite’s sound and reshaped them into new configurations, while Sound Museum, arriving in 1997, assembled contributions from Kylie Minogue, Bebel Gilberto, and Biz Markie that remained true to his lighthearted, upbeat conception of pop. Throughout the 2000s and into the following decade he stayed prominent in Japan’s dance-music landscape, placing albums such as Flash (2005) and Lucky (2013) on the charts; later in the 2010s his involvement with the supergroup METAFIVE—alongside members of Yellow Magic Orchestra—solidified his standing among the country’s most inventive and respected figures, a thread he extended with the 2021 release LP and the 2023 album Touch.
Born in Yokohama and raised in Kawasaki, Tei began creating music during adolescence, capturing early demos on his Korg MS-10 synthesizer. While enrolled at Musashino Art University Junior College of Art and Design he submitted material to Ryuichi Sakamoto’s radio show Sound Street, initiating a sustained collaboration with the Yellow Magic Orchestra co-founder. Employed as Sakamoto’s roadie, Tei sought to strengthen his English and relocated to New York City in 1987 to study at Parsons School of Design. There he immersed himself in the club community and formed a connection with Baby Bam of the Jungle Brothers; the two bonded, leading Tei to create the artwork for the group’s 1989 album Done by the Forces of Nature.
He also encountered Super DJ Dimitri in New York clubs and joined the forward-thinking dance-pop trio Deee-Lite as its third member in 1988. Their debut World Clique achieved multi-platinum status, and the lead track “Groove Is in the Heart”—shaped in part by Tei’s sampling expertise—reached the Top Five on the Billboard Hot 100 Singles chart while topping the Billboard Hot Dance Music Club Play chart. Capitalizing on that momentum, he partnered with Sakamoto on the 1991 album Heartbeat. While Dimitri and Lady Miss Kier promoted World Clique on tour, Tei prepared Deee-Lite’s second album, the socially conscious Infinity Within, which appeared in 1992, climbed to number 67 on the Billboard 200 Albums chart, and yielded the number-one Billboard Dance single “Runaway.”
Artistic divergences led Tei to exit Deee-Lite prior to Dewdrops in the Garden (1994), although he featured on the track “Call Me.” That same year he rejoined Sakamoto for Sweet Revenge and returned to Japan, establishing himself in Tokyo. He quickly became a sought-after producer for acts including Pizzicato Five, Yellow Magic Orchestra, and A Tribe Called Quest, whose member Q-Tip had already appeared on “Groove Is in the Heart.” Tei launched his solo career with Future Listening! in October 1994. Blending bossa nova, house, jazz, and pop elements he had begun exploring toward the end of his Deee-Lite tenure, the album gathered an eclectic roster—Pizzicato Five’s Maki Nomiya, Joi Cardwell, Bebel Gilberto, Sakamoto, and Haruomi Hosono—and peaked at number 50 on Japan’s Oricon Albums Chart after its U.S. release on Elektra the following April.
A prolific 1997 saw the self-titled debut of his Sweet Robots Against the Machine project in February and the May arrival of his second solo album, Sound Museum, which incorporated contributions from Minogue, Biz Markie, and Gilberto and reached number 17 on the Japanese charts. Last Century Modern, released in July 1999, merged Y2K-era tension with retro pop, drum’n’bass, and funk, featuring vocals by Ayumi Tanabe and Cory Daye; it attained number 20 on the Oricon Albums Chart and appeared in the States in May 2000. Tei revived the Sweet Robots Against the Machine moniker for the 2002 album Towa Tei before issuing Flash under his own name in April 2005. Reflecting his ongoing club performances, the set included Atom TM, Luomo, and Buffalo Daughter and reached number 26 in Japan. By 2009 his creative ventures encompassed the concept party Hotel H and the collective hug inc., which produced his designer sunglasses and related items; that February he delivered Big Fun, his fifth album, which landed at number 25 on the Oricon Albums Chart and connected him with Taprikk Sweezee and Cibo Matto’s Miho Hatori via social media.
During the 2010s Tei sustained his array of projects. Sunny (2011) again featured Sweezee, Hatori, and Hosono and peaked at number 23 on the Japanese charts, while Lucky (2013) enlisted all three Yellow Magic Orchestra members, Buffalo Daughter’s SuGar Yoshinaga, and Sheena Ringo, attaining number 36 on the Oricon Albums Chart. In 2014 he marked two decades as a solo artist with compilations of original material, covers, and remixes, and joined the supergroup METAFIVE alongside Yukihiro Takahashi and Tomohiko Gondo of Yellow Magic Orchestra, Cornelius’ Keigo Oyamada, Denki Groove’s Yoshinori Sunahara, and vocalist Leo Imai. Initially formed as Takahashi’s touring band, METAFIVE issued the single “Split Spirit” that year. Several members, together with Hosono and Atom TM, appeared on Cute (July 2015), which reached number 25 on the Japanese charts. In 2016 Tei resumed METAFIVE activities with the album META, the EP METAHALF, and the live album METALIVE. During a pause he completed his ninth solo album, Emo, released in March 2017; it peaked at number 34 on the Oricon Albums Chart and incorporated performances from his METAFIVE colleagues plus Inara George of the Bird and the Bee, UA, and Minogue. Later that year he returned with the third Sweet Robots Against the Machine album, 3 (pronounced “san”), collaborating with Sunahara, actresses Aso Kumiko and Yoshioka Kaho, and comedian Bakarhythm on spoken-word techno pieces. Also in 2018 he composed music for a documentary on Yayoi Kusama and oversaw Neue Tanz, a compilation honoring Yellow Magic Orchestra’s 40th anniversary. He reemerged in March 2021 with LP, his tenth album, featuring HANA alongside Hosono, Takahashi, and Sunahara; it reached number 44 on the Oricon Albums Chart. Around its release he remixed Scandal’s “Eternal,” and in November his soundtrack for the Netflix animated series Super Crooks appeared. In 2023 he issued two albums in September: the entirely instrumental Zoundtracks on his Machbeat label and Touch, which extended the collaborative pop explorations of LP with contributions from Cornelius, Hosono, and Takahashi.
Born in Yokohama and raised in Kawasaki, Tei began creating music during adolescence, capturing early demos on his Korg MS-10 synthesizer. While enrolled at Musashino Art University Junior College of Art and Design he submitted material to Ryuichi Sakamoto’s radio show Sound Street, initiating a sustained collaboration with the Yellow Magic Orchestra co-founder. Employed as Sakamoto’s roadie, Tei sought to strengthen his English and relocated to New York City in 1987 to study at Parsons School of Design. There he immersed himself in the club community and formed a connection with Baby Bam of the Jungle Brothers; the two bonded, leading Tei to create the artwork for the group’s 1989 album Done by the Forces of Nature.
He also encountered Super DJ Dimitri in New York clubs and joined the forward-thinking dance-pop trio Deee-Lite as its third member in 1988. Their debut World Clique achieved multi-platinum status, and the lead track “Groove Is in the Heart”—shaped in part by Tei’s sampling expertise—reached the Top Five on the Billboard Hot 100 Singles chart while topping the Billboard Hot Dance Music Club Play chart. Capitalizing on that momentum, he partnered with Sakamoto on the 1991 album Heartbeat. While Dimitri and Lady Miss Kier promoted World Clique on tour, Tei prepared Deee-Lite’s second album, the socially conscious Infinity Within, which appeared in 1992, climbed to number 67 on the Billboard 200 Albums chart, and yielded the number-one Billboard Dance single “Runaway.”
Artistic divergences led Tei to exit Deee-Lite prior to Dewdrops in the Garden (1994), although he featured on the track “Call Me.” That same year he rejoined Sakamoto for Sweet Revenge and returned to Japan, establishing himself in Tokyo. He quickly became a sought-after producer for acts including Pizzicato Five, Yellow Magic Orchestra, and A Tribe Called Quest, whose member Q-Tip had already appeared on “Groove Is in the Heart.” Tei launched his solo career with Future Listening! in October 1994. Blending bossa nova, house, jazz, and pop elements he had begun exploring toward the end of his Deee-Lite tenure, the album gathered an eclectic roster—Pizzicato Five’s Maki Nomiya, Joi Cardwell, Bebel Gilberto, Sakamoto, and Haruomi Hosono—and peaked at number 50 on Japan’s Oricon Albums Chart after its U.S. release on Elektra the following April.
A prolific 1997 saw the self-titled debut of his Sweet Robots Against the Machine project in February and the May arrival of his second solo album, Sound Museum, which incorporated contributions from Minogue, Biz Markie, and Gilberto and reached number 17 on the Japanese charts. Last Century Modern, released in July 1999, merged Y2K-era tension with retro pop, drum’n’bass, and funk, featuring vocals by Ayumi Tanabe and Cory Daye; it attained number 20 on the Oricon Albums Chart and appeared in the States in May 2000. Tei revived the Sweet Robots Against the Machine moniker for the 2002 album Towa Tei before issuing Flash under his own name in April 2005. Reflecting his ongoing club performances, the set included Atom TM, Luomo, and Buffalo Daughter and reached number 26 in Japan. By 2009 his creative ventures encompassed the concept party Hotel H and the collective hug inc., which produced his designer sunglasses and related items; that February he delivered Big Fun, his fifth album, which landed at number 25 on the Oricon Albums Chart and connected him with Taprikk Sweezee and Cibo Matto’s Miho Hatori via social media.
During the 2010s Tei sustained his array of projects. Sunny (2011) again featured Sweezee, Hatori, and Hosono and peaked at number 23 on the Japanese charts, while Lucky (2013) enlisted all three Yellow Magic Orchestra members, Buffalo Daughter’s SuGar Yoshinaga, and Sheena Ringo, attaining number 36 on the Oricon Albums Chart. In 2014 he marked two decades as a solo artist with compilations of original material, covers, and remixes, and joined the supergroup METAFIVE alongside Yukihiro Takahashi and Tomohiko Gondo of Yellow Magic Orchestra, Cornelius’ Keigo Oyamada, Denki Groove’s Yoshinori Sunahara, and vocalist Leo Imai. Initially formed as Takahashi’s touring band, METAFIVE issued the single “Split Spirit” that year. Several members, together with Hosono and Atom TM, appeared on Cute (July 2015), which reached number 25 on the Japanese charts. In 2016 Tei resumed METAFIVE activities with the album META, the EP METAHALF, and the live album METALIVE. During a pause he completed his ninth solo album, Emo, released in March 2017; it peaked at number 34 on the Oricon Albums Chart and incorporated performances from his METAFIVE colleagues plus Inara George of the Bird and the Bee, UA, and Minogue. Later that year he returned with the third Sweet Robots Against the Machine album, 3 (pronounced “san”), collaborating with Sunahara, actresses Aso Kumiko and Yoshioka Kaho, and comedian Bakarhythm on spoken-word techno pieces. Also in 2018 he composed music for a documentary on Yayoi Kusama and oversaw Neue Tanz, a compilation honoring Yellow Magic Orchestra’s 40th anniversary. He reemerged in March 2021 with LP, his tenth album, featuring HANA alongside Hosono, Takahashi, and Sunahara; it reached number 44 on the Oricon Albums Chart. Around its release he remixed Scandal’s “Eternal,” and in November his soundtrack for the Netflix animated series Super Crooks appeared. In 2023 he issued two albums in September: the entirely instrumental Zoundtracks on his Machbeat label and Touch, which extended the collaborative pop explorations of LP with contributions from Cornelius, Hosono, and Takahashi.
Albums
