Biography
Pianist Arcadi Volodos built his reputation around technically demanding repertoire, with a particular focus on transcriptions, though he later expanded his programs to encompass core works of German Romanticism by Schubert and Brahms. Born on February 24, 1972, in Leningrad in the Soviet Union—now known as St. Petersburg, Russia—Volodos grew up with parents who were both classical singers and therefore envisioned a life in music from the start. He briefly considered conducting, enrolling at the St. Petersburg Conservatory where he directed the student orchestra while still a teenager. Required keyboard lessons soon revealed an exceptional gift, prompting him to concentrate fully on piano at age fifteen and advance with striking speed.
Further training took him to the Moscow Conservatory under Galina Jegiasarowa and Dmitri Baschkirow, after which his profile rose internationally through inclusion in New York’s 1991 New Names series. Additional studies followed at the Paris Conservatory with Jacques Rouvier and at the Madrid Music Academy Reina Sofía, again with Dmitri Baschkirow. Volodos declined to participate in competitions, arguing that their adversarial nature contradicted the essence of musical expression; nevertheless, his distinctive virtuosity—manifested in original paraphrases and adaptations drawn from Bizet, Liszt, and Rachmaninoff—secured significant engagements. Landmark recitals at London’s Wigmore Hall in 1996 and Carnegie Hall in New York two years later confirmed his arrival.
Early support came from producer Thomas Frost, whose long association with Vladimir Horowitz also shaped Volodos’s own affinity for transcriptions. In addition to his own arrangements, he performed those of others, notably György Cziffra’s treatment of Rimsky-Korsakov’s Flight of the Bumblebee. Over time his recital programs increasingly featured Schubert and, subsequently, other nineteenth-century composers.
Sony Classical signed him early and issued a self-titled debut album in 1997. Several of his recordings earned Gramophone awards in the United Kingdom, and in 2003 he received Germany’s ECHO Klassik prize. He also explored music of a more introspective character, as heard on the 2013 release Volodos plays Mompou. In 2019 Sony Classical issued his account of Schubert’s Piano Sonata in A major, D. 959.
Further training took him to the Moscow Conservatory under Galina Jegiasarowa and Dmitri Baschkirow, after which his profile rose internationally through inclusion in New York’s 1991 New Names series. Additional studies followed at the Paris Conservatory with Jacques Rouvier and at the Madrid Music Academy Reina Sofía, again with Dmitri Baschkirow. Volodos declined to participate in competitions, arguing that their adversarial nature contradicted the essence of musical expression; nevertheless, his distinctive virtuosity—manifested in original paraphrases and adaptations drawn from Bizet, Liszt, and Rachmaninoff—secured significant engagements. Landmark recitals at London’s Wigmore Hall in 1996 and Carnegie Hall in New York two years later confirmed his arrival.
Early support came from producer Thomas Frost, whose long association with Vladimir Horowitz also shaped Volodos’s own affinity for transcriptions. In addition to his own arrangements, he performed those of others, notably György Cziffra’s treatment of Rimsky-Korsakov’s Flight of the Bumblebee. Over time his recital programs increasingly featured Schubert and, subsequently, other nineteenth-century composers.
Sony Classical signed him early and issued a self-titled debut album in 1997. Several of his recordings earned Gramophone awards in the United Kingdom, and in 2003 he received Germany’s ECHO Klassik prize. He also explored music of a more introspective character, as heard on the 2013 release Volodos plays Mompou. In 2019 Sony Classical issued his account of Schubert’s Piano Sonata in A major, D. 959.
Albums

Schubert: Piano Sonata No. 17 in D Major, D. 850 - Schumann: Kinderszenen, Op. 15
2026

Pontus Carron: Encores
2025

Schubert: Piano Sonata D.959 & Minuets D. 334, D. 335, D. 600
2019

Volodos Plays Brahms
2017

Tchaikovsky: Piano Concerto No. 1 in B-Flat Minor - Rachmaninoff: Piano Works
2016

Volodos plays Mompou
2013

Volodos in Vienna
2010

Volodos Plays Liszt
2007

Schubert: Solo Piano Works
2002

Piano Transcriptions
1997
Singles

Kinderszenen, Op.15/I. Von fremden Ländern und Menschen
2026

Kinderszenen, Op.15/VII. Träumerei
2026

Minuet in A Major, D. 334
2019
Live

