Artist

Betty Buckley

Genre: Stage & Screen ,Cast Recordings ,American Popular Song ,Traditional Pop ,Standards ,Show Tunes ,Vocal Pop ,Show/Musical ,Vocal Music
Origin: U.S.A
Active: 1964 - Present
Listen on Coda
While Betty Buckley has taken on countless stage roles and logged time in film and television, her embodiment of Grizabella in the Broadway staging of Cats—especially her interpretation of the production’s signature song, “Memory”—remains the performance for which she is most widely identified.

Born Betty Lynn Buckley on July 3, 1947, in Fort Worth, Texas, she was eleven when a staging of The Pajama Game ignited an enduring devotion to the theater; she honed her craft by absorbing the vocal approaches of Judy Garland and Ella Fitzgerald. After earning a journalism degree from Texas Christian University and touring with a USO company, she reached New York and secured the part of Martha Jefferson in the 1969 Broadway premiere of 1776. Later that year she moved to London to star in Neil Simon’s Promises, Promises, then spent the following five years dividing her time between the two cities while also playing the gym teacher in the 1976 screen adaptation of Stephen King’s Carrie.

National visibility arrived in 1977 with her portrayal of the stepmother on the series Eight Is Enough; additional screen work included Tender Mercies, and she appeared in stage musicals such as I’m Getting My Act Together and Taking It on the Road. When Andrew Lloyd Webber’s Cats transferred to Broadway, she was chosen for Grizabella; although the character’s defining number “Memory” had already become a hit for London cast member Elaine Paige and had been recorded by Barbra Streisand and Judy Collins, Buckley’s performance earned her the 1983 Tony Award for Best Actress in a Musical. Subsequent Broadway appearances encompassed The Mystery of Edwin Drood in 1985, Song and Dance in 1986, and the brief 1988 revival of Carrie, in which she played the devout mother.

During the late 1980s and 1990s she appeared in the films Frantic (1988) and Wyatt Earp (1994) and starred in the 1994 production of Sunset Boulevard. Beyond cast albums, she issued a sequence of live and studio recordings devoted chiefly to theater material. Her self-titled 1987 debut contained several original compositions; Children Will Listen (1993) returned to standards, while With One Look (1994) broadened her palette with songs by Hank Williams, Joni Mitchell, and Mary-Chapin Carpenter. Much More followed in 1997, Betty Buckley’s Broadway in 1999, and Heart to Heart in spring 2000. In February 2008 she released two projects: Quintessence, featuring jazz settings of standards arranged by pianist Kenny Werner, and 1967, a recording captured when she was nineteen. She later appeared in M. Night Shyamalan’s The Happening and on the series The Pacific, Melrose Place, and Pretty Little Liars; the country-inflected Bootleg: Boardmixes from the Road arrived in 2010. The live album Ah, Men! The Boys of Broadway was issued two years afterward. Following her 2013 induction into the American Theater Hall of Fame, she collaborated with producer T-Bone Burnett on Ghostlight (2014). In 2017 she joined the cast of Shyamalan’s Split and released the live set Story Songs, on which musical director Christian Jacob accompanied her through material ranging from classic show tunes to songs by Radiohead.