Artist

Cyril

Genre: Electronic ,Club/Dance ,House
Origin: U.S.A
Listen on Coda
Cyril’s arrival transformed Australian club culture, where venues had previously avoided blending dancefloor reworkings of tracks by Suzi Quatro, Disturbed, Crowded House, and Spandau Ballet. His knack for crafting upbeat yet straightforward house versions of familiar songs prompted that shift.

Born and raised in the rural New South Wales town of Lake Cargelligo, Cyril Riley grew up surrounded by country and folk sounds ranging from Garth Brooks to Simon & Garfunkel. He trained on piano, guitar, and drums, then began DJing during his teenage years. Following a stretch in early adulthood spent overcoming substance issues and laboring on a farm, he pursued business studies at Charles Darwin University in Darwin before relocating there permanently with his family.

Early in the 2020s he launched a series of distinctive covers and deep house remixes drawn from radio staples and shaped by the preferences of Northern Territories dancers. Riley constructed a modest home studio where he filmed himself in casual clips, seated in a rotating chair, bucket hat in place, and sipping from a goblet with a playful expression. These videos spread rapidly online, paving the way for his debut official single—a 2023 cover of Suzi Quatro and Chris Norman’s 1979 hit “Stumblin’ In.” The track climbed to number 15 on the Australian charts, earned double-platinum certification domestically, and entered the European Top Ten, most notably in Germany, where Bayern Munich incorporated it into a team video.

Further left-field interpretations followed, among them a dance remix of Disturbed’s cover of Simon & Garfunkel’s “The Sound of Silence” that unexpectedly charted on Billboard’s dance tally. His 2024 EPs From Down Under and To the World collected that track alongside reinterpretations of Crowded House’s “Fall at Your Feet,” Jennifer Rush’s “The Power of Love,” The 1975’s “Somebody Else,” Spandau Ballet’s “True,” and an electronic version of America’s “A Horse with No Name.”