Artist

Earl Brutus

Genre: Alt / Indie ,Indie Rock ,Britpop ,Neo-Glam ,Alternative Dance
Origin: U.S.A
Listen on Coda
Nick Sanderson, who founded and fronted Earl Brutus, nurtured an eccentric ambition for the band: he envisioned one of their tracks becoming the go-to recording for emptying pubs at closing time. "Our dream is to record the perfect song to be played at chucking-out time," Sanderson once told a reporter. "That's when music makes most sense." Though the goal remained unrealized, the group forged a singular identity across its existence, reshaping 1970s glam rock through added electronics and lyrics that fixated on masculinity, mordant humor, studied elegance, drinking culture, British existence, and understated subversion.

Sanderson assembled Earl Brutus in 1993 after drumming stints with Clock DVA, the Gun Club, the Jesus and Mary Chain, and World of Twist. He recruited Stuart Boreman on electronics and vocals, Jamie Fry on vocals, and Rob Marche on guitar; the name derived from an imaginary pub and a once-popular jeans label. The quartet quickly gained notice for a thunderous style—half Queen, half Suicide—alongside extravagant concerts that featured smashed gear, detonated flash bombs, neon signage and funeral wreaths bearing “Fuck Off” banners, plus the aroma of aftershave from Brut emptied into wind machines. Members of Saint Etienne discovered the band, signed them to Icerink Records, and issued the debut single “Life’s Too Long” in 1993; two years later Royal Mint put out “Bonjour Monsieur” b/w “On Me Not in Me.” Also in 1995 came the one-sided holiday release “Single Seater Xmas,” which reached the top of the U.K. indie charts.

Deceptive Records, established by BBC Radio 1 disc jockey Steve Lamacq, became the label for “Single Seater Xmas,” and the single’s success prompted a studio session that yielded the 1996 debut album Your Majesty… We Are Here, whose title cheekily announced Earl Brutus’s arrival to rescue British rock. By then Stuart Boreman had exited due to stage fright, Gordon King had assumed keyboards and electronics, and live shows featured a fifth member, Shin-Ya Hayashida—a Japanese expatriate hairdresser who stationed himself stage-side, consumed beer, and hurled bilingual insults at audiences. Despite extensive press coverage, Your Majesty… We Are Here sold modestly and Deceptive faced financial strain. Earl Brutus moved to Fruition Recordings, an Island Records imprint, for the 1998 follow-up Tonight You Are the Special One, yet the album likewise failed to reach broad listeners and charted poorly. The 1999 single “Larky” marked their final release; performances grew infrequent until a last appearance in 2004 at a fundraiser for Ken Livingstone’s mayoral campaign. Sanderson departed music to drive trains and died of lung cancer in 2008 at age 47. Stuart Boreman, Jamie Fry, Gordon King, and Shin-Ya Hayashida later reunited in the Pre New. In 2016, 3 Loop Music reissued both albums in expanded deluxe editions.