Artist

Ihsahn

Genre: Metal ,Heavy Metal ,Black Metal ,Symphonic Black Metal
Origin: U.S.A
Active: 1990 - Present
Listen on Coda
From a purely sonic standpoint, Norwegian vocalist, composer, and multi-instrumentalist Ihsahn ranks among the most pivotal and revered figures in the history of European black metal. He layers his metallic and progressive leanings with ambient, industrial, techno, classical, and found-sound elements. Since departing the pioneering group Emperor, his approach has gravitated steadily toward prog metal. Within that ensemble he helped forge an intensely ferocious and ominous sound built on searing tremolo-picked riffs, sharply angled symphonic keyboards, and blastbeat drumming that shaped two successive generations of metal acts. Following the band’s first disbandment in 2001 (with later festival reunions and recordings in the 2000s and 2010s), Ihsahn’s initial solo releases presented a jagged synthesis of prog and black metal on The Adversary, angL, and After; those works gave way to the radically experimental Eremita in 2012 and the largely improvised Der Seelenbrechen in 2013. He eventually circled back to excavate a fresh seam of extreme prog rock on Arktis and Ámr. In 2022 his solo catalog was assembled in the expansive vinyl box set The Hyperborean Collection MMVI-MMXX. He resumed studio work and delivered a conceptual, self-titled album in 2024.

Born Vegard Sverre Tveitan in Notodden, Norway, in 1975, Ihsahn spent his childhood on a farm and began studying keyboards and guitars at the age of seven. As a teenager he encountered Tomas Haugen (Samoth) at a music conference, and together they launched Thou Shalt Suffer in 1991. The pair issued several demos before Samoth departed, after which Ihsahn shelved the project as a personal endeavor. They would later reunite in Emperor, whose original roster comprised Ihsahn, Samoth, Faust’s Bård Eithun (later replaced in 1996 by drummer Trym Torson), and Mortiis, who exited after one year to pursue his own band and was succeeded by a rotating cast of bassists.

With the endorsement of Norway’s black metal inner circle—including Mayhem vocalist Euronymous and his eventual killer, the white nationalist Varg Vikernes of Burzum—Emperor issued the groundbreaking Emperor EP in 1993. Their widely praised debut album, In the Nightside Eclipse, followed in 1994, yet the group’s trajectory was interrupted when Faust and Samoth were imprisoned amid the church-burnings that marked that era. Ihsahn persisted, composing much of the material for Emperor’s subsequent record, Anthems to the Welkin at Dusk, released in 1997. Throughout the late 1990s he also contributed to outside projects such as Zyklon-B, a collaboration uniting members of Emperor and Satyricon, and the experimental Peccatum, formed in 1998 with his wife Ihriel (Heidi Tveitan).

Ihsahn appeared on two full-length releases in 1999: Peccatum’s debut Strangling from Within and Emperor’s IX Equilibrium. Emperor issued two further albums before the initial split—2000’s live Emperial Live Ceremony (also issued on DVD) and 2001’s Prometheus: The Discipline of Fire & Demise. After that final outing the band went dormant, though a 2003 compilation and a few 2006 performances occurred; Ihsahn meanwhile concentrated on Peccatum, which delivered Amor Fati in 2001 and Lost in Reverie in 2004. Following the 2005 Peccatum EP The Moribund People, he turned to his first solo album.

In 2002 his hometown of Notodden honored him with an award acknowledging his stature as a leading local musician and cultural figure. The Adversary appeared in 2006 on his own Mnemosyne label (with international distribution via Candlelight), featuring Ulver’s Kristoffer Rygg and drummer Asgeir Mickelson; conceived as the first installment of a conceptual trilogy, it earned widespread acclaim. The second chapter, angL, followed in 2008 with a guest turn from Opeth’s Mikael Åkerfeldt. The trilogy concluded in 2010 with After, which included Shining’s Jørgen Munkeby on saxophone. Devin Townsend and Nevermore’s Jeff Loomis guested on 2012’s Eremita, while 2013’s Das Seelenbrechen drew inspiration from Scott Walker and Diamanda Galás as Ihsahn explored freer improvisation and dark ambient textures.

Arktis, Ihsahn’s sixth solo studio album, surfaced on Candlelight in early 2016; it featured Leprous’ Einar Solberg (his brother-in-law), guitarist Robin Ognedal, and saxophonist Munkeby, earned year-end accolades from numerous metal outlets, and registered on the Hard Rock and Heatseekers charts. Incorporating vintage synthesizers and mastered by Jens Bogren, 2018’s Ámr found Ihsahn handling every instrument except drums, played by Tobias Ørnes of Shining. The record extended the stylistic groundwork of Arktis and appeared on multiple European critics’ lists, though it did not chart in the United States. Early 2020 brought the Telemark EP, followed later that year by the more melodic Pharos EP.

Candlelight compiled Ihsahn’s solo output in 2022 as the limited-edition vinyl box set The Hyperborean Collection MMVI-MMXX, comprising fourteen double LPs and two single LPs in a run of 1,000 copies that sold out immediately. The digital Fascination Street Sessions EP emerged in 2023, containing the tracks “Contorted Monuments,” “The Observer” (featuring longtime friend and keyboardist Øystein H. Aadland on lead vocals), and “Dom Andra” (featuring Katatonia’s Jonas Renkse). Seeking to “raise the bar tenfold,” Ihsahn released a self-titled conceptual project in February 2024 comprising two interconnected albums—one a progressive-metal record informed by horror-film scoring, the other an orchestral counterpart—thereby presenting the complete scope of his artistic vision.