Biography
Nigel Rogers pursued a tenor career defined by concerts and recitals, academic posts, choral leadership, and a comparatively late turn to conducting, after early professional experience in Germany and an operatic debut that arrived only in 1969. Born in Wellington, Shropshire, England, on March 21, 1935, he read music at Cambridge University’s King’s College from 1953 to 1956 as a choral scholar. Private lessons followed in Rome and Milan, after which he enrolled at Munich’s Hochschule für Musik between 1959 and 1961, studying principally with Gerhard Hüsch.
Between 1960 and 1964 he performed with the Munich-based early-music vocal quartet Studio der frühen Musik. He settled back in England in 1965 and began making recordings; four years later he appeared on the operatic stage for the first time in Amsterdam. Later returns to that city included a 1972 portrayal of Poppea in Monteverdi’s The Coronation of Poppea under Gustav Leonhardt.
Appointed professor of voice at London’s Royal College of Music in 1978, Rogers established the vocal ensemble Chiaroscuro the following year to champion early Italian repertoire. Conducting entered his activities in 1985, when he was fifty; among subsequent projects was a 1996 performance of Alessandro Scarlatti’s La gloria di primavera. Still performing in his seventies, he marked his seventieth birthday with a recital at Wigmore Hall on May 3, 2005, singing solo works by Carissimi, Stradella, and others, supported by Elizabeth Kenny on theorbo and his wife, Lina Zilinskyte, on harpsichord.
While his voice was widely admired for its attractiveness, it lacked the creaminess or warmth of many other tenors; Rogers nevertheless deployed it with uncommon dramatic force and technical assurance. Early music and the Baroque formed the core of his reputation, with notable accounts of Machaut, Dowland, Purcell, and related composers, yet his programs also embraced Schubert, Verdi, and Britten. Roughly seventy recordings appeared on labels including Archiv, EMI, and Teldec. Rogers died on January 19, 2022.
Between 1960 and 1964 he performed with the Munich-based early-music vocal quartet Studio der frühen Musik. He settled back in England in 1965 and began making recordings; four years later he appeared on the operatic stage for the first time in Amsterdam. Later returns to that city included a 1972 portrayal of Poppea in Monteverdi’s The Coronation of Poppea under Gustav Leonhardt.
Appointed professor of voice at London’s Royal College of Music in 1978, Rogers established the vocal ensemble Chiaroscuro the following year to champion early Italian repertoire. Conducting entered his activities in 1985, when he was fifty; among subsequent projects was a 1996 performance of Alessandro Scarlatti’s La gloria di primavera. Still performing in his seventies, he marked his seventieth birthday with a recital at Wigmore Hall on May 3, 2005, singing solo works by Carissimi, Stradella, and others, supported by Elizabeth Kenny on theorbo and his wife, Lina Zilinskyte, on harpsichord.
While his voice was widely admired for its attractiveness, it lacked the creaminess or warmth of many other tenors; Rogers nevertheless deployed it with uncommon dramatic force and technical assurance. Early music and the Baroque formed the core of his reputation, with notable accounts of Machaut, Dowland, Purcell, and related composers, yet his programs also embraced Schubert, Verdi, and Britten. Roughly seventy recordings appeared on labels including Archiv, EMI, and Teldec. Rogers died on January 19, 2022.
Albums

Monteverdi: Il combattimento di Tancredi e Clorinda & Madrigals
2022

Dowland: Songs for Tenor and Lute - A Musicall Banquet
2020

D'India Lamento d'Orfeo
2012

Morley: The First Booke of Ayres
1998

Monteverdi: Vespro della Beata Vergine Part 1
1997

Schutz: Symphoniae Sacrae II
1994

Lassus: Le lagrime di San Pietro; Marini: Le lagrime d'Erminia
1994

Dufay, Di Lasso, Senfl, Isaac: Missa, Salmi, Chansons
1989

Purcell: Dido and Aeneas
1989

Schütz & Praetorius: Die Weihnachtsgeschichte
1987

Monteverdi: Lamento d'Arianna; Combattimento di Tancredi e Clorinda / Farina: Sonata La Desperata / Rossi: Sonata sopra l'aria di Ruggiero / Fontana: Sonata a tre violini / Marini: Passacaglio a 4; Sonata sopra la Monica; Eco a tre violini / Buonamente:
1985

Monteverdi & d'India: Madrigals
1983

John Gay's "The Beggar's Opera" (Overture and Music Harmonized by Johann Christoph Pepusch) [Ed. Denis Stevens]
1977

Gagliano: La Dafne
1977

Rameau: Hippolyte et Aricie
1966
