Artist

Christopher O'Riley

Genre: Classical ,Keyboard ,Contemporary Instrumental ,Solo Instrumental ,Tribute Albums ,Chamber Music ,Classical Crossover
Origin: U.S.A
Active: 1981 - Present
Listen on Coda
Christopher O'Riley has earned acclaim for his command of core classical literature as well as for his adaptations drawn from Radiohead. Listeners first encountered the band’s music through his unannounced transcriptions on the NPR series From the Top, which he hosted. His recorded output spans both traditional repertory and these popular arrangements, culminating in the 2024 Navona Records release of J.S. Bach: Well-Tempered Clavier, Book I.

Born in Chicago in 1956, O’Riley began piano studies at age four while also forming a band during middle school. Drawn to jazz-rock fusion, he launched his professional career in high school with appearances alongside saxophonist Eric Kloss. At the New England Conservatory of Music, president and composer Gunther Schuller fostered an atmosphere receptive to jazz-classical hybrids. Competition successes, among them first place at the Young Concert Artists International Auditions and an Avery Fisher Career Grant, secured engagements and led to his 1989 Centaur debut, devoted to Busoni and featuring the demanding Fantasia Contrappuntistica. Further classical discs appeared on Albany, Nonesuch, and RCA in the 1990s; in 1995 Telarc Distribution issued his recording of P.D.Q. Bach’s The Short-Tempered Clavier.

O’Riley’s interest in pop and rock endured. After assuming the From the Top podium he began slipping his Radiohead transcriptions into brief segments alongside classical miniatures. Only later did he name the source, prompting listener inquiries about a composer called Head, since few in the classical audience then knew Radiohead. Two such collections followed: True Love Waits (2003) and Hold Me to This (2005), both of which registered on classical crossover charts. Separate albums explored material by Elliott Smith and Nick Drake. Classical projects continued, including the 2015 recording Beethoven. Period., on which he accompanied cellist Matt Haimovitz, together with several tango discs. In 2024 he returned to Bach with the Navona Records album J.S. Bach: Well-Tempered Clavier, Book I.