Roger Clyne & the Peacemakers assembled in 1999 as a Southwestern supergroup drawn from the remnants of the Refreshments, Dead Hot Workshop, and the Gin Blossoms, focusing on literate Americana infused with pop sensibilities. Arizona native Roger Clyne had already built a reputation fronting the Refreshments amid the post-grunge climate of the 1990s. The band gained wider attention in 1996 through the cheeky pop anthem "Banditos," yet Mercury Records parted ways with the group after its second album underperformed commercially relative to the debut. Clyne and drummer P.H. Naffah then withdrew to Tempe, Arizona, where the duo wrote numerous new songs during a week-long trek across the Sonoran Desert. A series of intimate local bar performances followed, allowing the pair to gradually assemble a roster of veteran musicians who would become Roger Clyne & the Peacemakers. By 1999 the lineup included ex-Gin Blossoms guitarist Scott Johnson, ex-Dead Hot Workshop guitarist Steve Larson, and bassist Danny White alongside Clyne and Naffah.
The group highlighted Clyne’s introspective tendencies and longstanding country leanings—evident already on the Refreshments’ refined sophomore release, The Bottle & Fresh Horses—on its 1999 debut Honky Tonk Union, which delivered twangy hard rock through the band’s own Emma Java imprint. That album entered the Top Ten of the Billboard Internet Sales charts, a distinction the Peacemakers would achieve with each of their next five releases and a record unmatched by any other independent act. Extensive touring across the Southwest and Mexico kept the band active, while the fall 2001 live set Real to Reel showcased its strength as a concert unit. Clyne advanced his lyrical approach on the second studio album, Sonoran Hope & Madness, issued in February 2002, which blended sultry country and folk textures to explore his observations of nature strained by human carelessness. The 2004 follow-up Americano arrived with a reduced lineup after Johnson departed for the reunited Gin Blossoms; the remaining members had refined a cohesive, rugged heartland-rock sound since their late-1990s beginnings. White exited after those sessions to work as a Nashville producer and was succeeded by former Gloritone bassist Nick Scropos. The refreshed configuration immediately resumed the road, documenting one of its high-energy performances on the 2005 release Live at Billy Bob’s before issuing the Four Unlike Before EP the next year. In 2007 the band released No More Beautiful World, shifting from its high-energy approach toward mariachi rhythms and witty storytelling. That winter the Peacemakers traveled to Mexico for an intensive eight-day writing and recording session that produced eight songs, with daily video updates streamed online so fans could observe the material develop; the resulting Turbo Ocho appeared in spring 2008. Following extensive U.S. and Mexican tours, the group undertook its inaugural U.K. dates. Recording resumed in late 2010 with guitarist Jim Dalton of the Railbenders filling Johnson’s former role, yielding the spring 2011 album Unida Cantina.
