Artist

The Wave Pictures

Genre: Alt / Indie ,Lo-Fi ,Indie Pop ,Indie Rock
Origin: U.S.A
Listen on Coda
The Wave Pictures formed in 1998 in the small rural village of Wymeswold in northern Leicestershire, within Great Britain's East Midlands, taking cues from the wry confessional tone of the Smiths and solo Morrissey as well as the unpolished D.I.Y. ethos associated with the C-86 scene. Their parents' classic rock LPs and John Peel's indie-focused broadcasts shaped the group's sound. David Tattersall handled lead vocals and guitar, Franic Rozycki played bass, and Hugh J. Noble sat behind the drums; the trio first operated as Blind Summit before switching to the Wave Pictures name once Noble departed for university.

Jonny "Huddersfield" Helm's arrival on drums locked the lineup into its lasting shape. Throughout the first eight years, with the members enrolled at separate universities, the band remained a part-time project confined to the D.I.Y. network. They issued self-released albums in small CD-R runs sold at shows and swapped with fellow artists including Herman Düne, the Mountain Goats, Jeffrey Lewis, and Darren Hayman, all of whom joined them for live dates and recordings. After Tattersall, Rozycki, and Helm finished school in 2006, the group relocated to London and joined the roster of Moshi Moshi Records, which put out their first official album, Sophie, that same year.

Instant Coffee Baby followed in 2008 and launched an unusually rapid release cadence. If You Leave It Alone arrived the next year. In 2010 the band delivered the Europe-only Susan Rode the Cyclone, the Sweetheart EP, and solo EPs from both Helm and Tattersall. Beer in the Breakers, issued in 2011, was produced by longtime associate Hayman and recorded in a single day. Three additional EPs—Little Surprise, In Her Kitchen, and Blue Harbour—also appeared that year, while Tattersall and Rozycki released How to Draw Sandwiches under the name the Last Swimmers.

The Salt EP and the Tattersall-produced Long Black Cars surfaced in 2012. Three further projects arrived in 2013: Through the Static and Distance: The Songs of Jason Molina, a benefit tribute for the late singer/songwriter's family, came out in March; the Lisbon EP followed in September; and City Forgiveness, written during a U.S. tour with Allo Darlin', appeared that October. The band covered Daniel Johnston's Artistic Vice in 2014. In 2015 they joined forces with Billy Childish for Great Big Flamingo Burning Moon, an album of originals that adopted some of Childish's raw garage-rock approach and made use of his vintage amplifiers, drums, and guitars. The same year the group served as backing musicians for frequent collaborator Stanley Brinks, formerly of Herman Düne, on My Ass.

A characteristically busy 2016 brought A Season in Hull, an acoustic set captured in basic conditions without mixing and released only on vinyl, alongside Bamboo Diner in the Rain, the band's response to "machine music" that drew on garage-rock and blues traditions. In 2018 they released their seventeenth album, Brushes with Happiness, tracking straight to tape in one evening after writing the parts immediately beforehand. Their eighteenth LP, Look Inside Your Heart, appeared the following year and leaned toward surf-rock textures with reflective lyrics.