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Helloween’s “Keeper of the Seven Keys Part I,” recorded at Horus Sound Studio in Hanover in late 1986 and released on 23 May 1987, invented European power metal by being structurally incomplete by design: a double album forced into one disc, its sequencing from “Initiation” to “Follow the Sign” a coherent statement that deliberately refuses to resolve.
Every other streaming service learns your taste then traps you inside it. Coda was built to break that loop.
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