Biography
Crematory emerged from Germany among the earliest innovators in the thriving European goth metal environment of the 1990s, having started strictly as a death metal act before folding in goth and industrial textures. The band formed in 1991, and a 1992 demo soon drew the notice of Massacre Records, which put out the debut full-length Transmigration the next year. Shared bills with Tiamat, My Dying Bride, and Atrocity widened their reach, earning repeated plays on MTV Germany and prompting the group to cut its self-titled 1996 Nuclear Blast album wholly in German. Later records such as Awake, Act Seven, and Believe steered Crematory into gloomier, more dreamlike territory weighted toward the gothic side of its sound, yet the act chose to disband in 2001 despite its considerable following.
The return came with 2004’s Revolution, an album steeped in techno-metal drive, quickly followed by a live set documenting the reunion trek. The band re-signed with Massacre for 2006’s Klagebilder and remained there until Antiserum appeared via SPV/Steamhammer in 2014; the thirteenth studio album, Monument, surfaced in 2016. After worldwide touring and slots at nearly every major metal festival plus several smaller ones, Crematory paused briefly, then entered the studio late in 2017 to deliver Oblivion, a release that reclaimed straightforward metal roots. Shortly before its April 2018 release, drummer Markus Jüllich branded fans “lazy asses” on social media, faulting their habit of downloading or streaming instead of buying physical copies or attending concerts and warning that the pattern was unsustainable and would ironically finish the band. Oblivion reached the metal charts and fulfilled SPV/Steamhammer’s sales expectations. Once the tour ended, the musicians immediately regrouped to record and issue Unbroken in March 2020, produced by keyboardist Katrin Jüllich. Though it drew the strongest reviews and opening sales numbers in years, the global pandemic left Crematory, like thousands of other acts, unable to tour.
The return came with 2004’s Revolution, an album steeped in techno-metal drive, quickly followed by a live set documenting the reunion trek. The band re-signed with Massacre for 2006’s Klagebilder and remained there until Antiserum appeared via SPV/Steamhammer in 2014; the thirteenth studio album, Monument, surfaced in 2016. After worldwide touring and slots at nearly every major metal festival plus several smaller ones, Crematory paused briefly, then entered the studio late in 2017 to deliver Oblivion, a release that reclaimed straightforward metal roots. Shortly before its April 2018 release, drummer Markus Jüllich branded fans “lazy asses” on social media, faulting their habit of downloading or streaming instead of buying physical copies or attending concerts and warning that the pattern was unsustainable and would ironically finish the band. Oblivion reached the metal charts and fulfilled SPV/Steamhammer’s sales expectations. Once the tour ended, the musicians immediately regrouped to record and issue Unbroken in March 2020, produced by keyboardist Katrin Jüllich. Though it drew the strongest reviews and opening sales numbers in years, the global pandemic left Crematory, like thousands of other acts, unable to tour.
Albums

Greatest Hits
2026

Oblivion
2026

Monument
2026

Antiserum
2025

Infinity
2025

Pray
2025

Destination
2025

Inglorious Darkness
2022

Tränen der Zeit
2022

Break Down the Walls
2022

Unbroken
2020

Live Insurrection
2017

Klagebilder
2006

Revolution
2004

Believe
2000

Crematory
2000

Illusions
2000

Transmigration
2000

Act Seven
1999

Awake
1997

...Just Dreaming
1994
Singles

Blind
2026

Born
2026

Salvation
2026

Ravens Calling
2025

Shadowmaker
2025

Infinity
2025

Kaltes Feuer
2025

The Fallen
2025

Fly
2025

Ist Es Wahr
2025

Tears Of Time
2025

Only Once In A Lifetime
2025

Hall Of Torment
2025

My Girlfriend's Girlfriend
2025

Welt Aus Glas
2025

Destination
2025

Inglorious Darkness
2022

Immortal
2018

Misunderstood
2016

Pray
2008

Away
2008

Greed
2004
