Artist

Between The Buried And Me

Genre: Metal ,Heavy Metal ,Metalcore ,Death Metal ,Progressive Metal
Origin: U.S.A
Active: 2000 - Present
Listen on Coda
Originating in Raleigh, North Carolina, Between the Buried and Me function as a thinking man's metal outfit whose fluid navigation across death, prog, technical, math metal, and blues territories remains unmatched. Their 2003 release The Silent Circus delved deep into the warehouse of extreme music's subgenres, while the 2007 album Colors earned the band's own description as "a 65-minute opus of non-stop pummeling beautiful music...."—a characterization echoed by reviewers. The comparatively accessible 2015 effort Coma Ecliptic expanded the group's artistic scope enough for observers to hail them as a "progressive metal" act, an impression reinforced two years later by the conceptual two-part Automata and its panoramic production values amid constant stylistic pivots. In 2021 the ensemble delivered Colors II, the follow-up to its 2007 cult classic.

The group coalesced in 2000 once vocalist Tommy Rogers and guitarist Paul Waggoner parted ways with their prior outfit, Prayer for Cleansing. Completing the roster alongside Rogers and Waggoner were guitarist Nick Fletcher, ex-Azazel bassist Jason King, and former Bury Your Dead drummer Mark Castillo. An eponymous debut soon emerged on the German indie Lifeforce, prompting extensive touring in support. Victory, the Chicago hardcore powerhouse, added the band to its roster in summer 2002, after which work commenced on the first label release; The Silent Circus arrived in late October 2003, presenting a tighter synthesis of math rock, heavy metal, and post-hardcore threads.

Subsequent personnel shifts left Rogers and Waggoner joined by guitarist Dusty Waring, bassist Dan Briggs, and drummer Blake Richardson. Teaming again with producer Jamie King—who had helmed the self-titled debut—Between the Buried and Me unveiled Alaska in September 2005, followed by shared bills with the Dillinger Escape Plan, Every Time I Die, Bleeding Through, and Haste the Day. The 2006 covers collection The Anatomy Of, issued that June, paid homage to touchstones ranging from Pantera to Queen to Pink Floyd before a headlining trek; Victory reissued The Silent Circus that fall with an added bonus DVD. Entering the studio once more with King in 2007 yielded Colors, released that September on Victory Records and tagged "new wave polka grunge" by the musicians themselves. Two years later the fifth studio album, The Great Misdirect, surfaced.

Victory issued a Between the Buried and Me greatest-hits compilation in 2011, mere weeks before the band's first Metal Blade EP, The Parallax: Hypersleep Dialogues, inaugurated a two-part concept sequence whose conclusion, The Parallax II: Future Sequence, arrived the following year. The Future Sequence Tour in 2013 presented the latter album complete. Late 2014 found the group back in the studio for another conceptual project that Metal Blade labeled a "rock opera"; Jamie King produced Coma Ecliptic, with mixing handled by Jens Bogren. Lead single "Memory Palace" preceded the July 2015 full-length. The 2017 concert document Coma Ecliptic Live captured a complete live rendering at Observatory North Park in San Diego, California, marking the final Metal Blade outing.

Signing with Sumerian that same year, the band returned to the studio under King's direction to shape the double-length concept work Automata, slated for split release. As Rogers stated, "We can get music instantly, and with this luxury, the listener has a hard time sitting down with albums and exploring their every twist and turn. Because of this, we have decided to release our new album in two parts." The narrative probes whether dreams could be broadcast as entertainment, whether innermost thoughts might be consumed onscreen, what such access would imply for an attention-starved audience, and ultimately what fate would await the dreamer. Automata I reached listeners in early March 2018; its July companion Automata II countered with an epic, emotional, eccentric trajectory that incorporated jazz, swing, improvised music, and avant-rock alongside the accustomed stylistic breadth.

BTBAM returned in 2021 with Colors II. After more than a year sidelined by the COVID-19 pandemic, the musicians approached the project with the same do-or-die resolve that had shaped 2007's Colors. June brought the single "Fix the Error," featuring guest drummers Mike Portnoy, Navene Koperweis, and Ken Schalk, while July delivered the nine-minute "Revolution in Limbo." Sumerian Records issued Colors II in late August.